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Do cables have a sound of their own?

Does your choice of cables affect the sound quality of your recording? Well of course, anything makes a difference. But does the degree of difference make a difference to your end product?

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Digital reverb for acoustic music should be believable, appropriate, and integrated
Whats the difference? Recording, Mixing, Mastering
What's the best height for studio monitors? Answer - Not too low!
TONAL BALANCE: Understand what all the words mean
WAVs or stems? What's best for your mix? - The Pedalboard Exception
How to fix a wandering stereo image in dialog
Noise as a creative effect
Sine waves - Can you hear them all?
Should I upgrade to the new Mac Pro?
What is a pad? What is it used for? Why does your microphone or preamp have one?
Graphic equalizer demonstration using the Waves GEQ Classic
What do COVID 19 and acoustic feedback have in common?
Bad Audio Diary BAD8: Nature documentaries - Are they making monkeys out of us?
Harmonic enhancement: In the master or individual tracks? (Can you hear the difference?)
What will happen if your snare drum clips?
EQ demonstration HF bell boost
What is the difference between recording, mixing, and mastering?
Give the bass drum more kick with techniques from the 1970s
Bass - How high can you go? Test your monitors (and your ears)
Loudness levels of pro audio experts
Drums clipped, compressed, EQed, then reverbed, going from clean sound to total madness.
What is the Neve sound? (Using the Slate Digital FG-73)
What is harmonic distortion?
Parallel compression three ways using the Slate Digital Virtual Mix Rack FG-401 compressor
Adding reverb to a tom fill using Audio Ease's Altiverb
Sine wave tones 20 Hz to 20 kHz - Can you hear them all?
Loudness normalization using the Waves WLM Plus loudness meter
How to add gated reverb to a snare drum using VerbSuite Classics
Bad Audio Diary BAD7: Make the dialog stand out from the background
How to make a musical scale from first principles (Pythagoras, Ptolemy)
How to use the gain reduction meter in a compressor like the Warm Audio WA-2A Opto Compressor
As a producer, what should you really worry about in your work?
Microphones - Will we always connect them to a preamplifier?
Spend $40,000 building a studio, and get it all back!
If tube microphones are so great, why don't we have tube loudspeakers?
Quick, professional-grade mastering - All you need is a plug in!
How to eliminate feedback from an acoustic guitar on stage
When to pan left, when to pan right
Drum reverbs - should they linger longer?
How to record a 50 strong choir and piano accompaniment with just five mics
The ancient myths and legends of soundproofing
The room you have right now that you can't use as a recording studio
What is the difference between gain and level?
Should you turn phantom power off if it isn't needed?
Which loudspeakers are best for accurate monitoring?
Does a mix engineer need a copy of the song lyrics?
Why your studio needs a pair of mediocre loudspeakers
Admit it - Do you always raise the microphone up and point it down?
How do you record a singer with poor microphone technique?
Mixing tips debunked? Or maybe not.
How to get a drummer to play in time to a click track
A new word for the audio dictionary
What is the difference between audio and MIDI?
How loud should the bass instrument be?
Why do microphones sound different?
When you are mixing, what is the first thing you should do? What's the last? What should you NOT DO?
Better theatre sound through proper loudspeaker placement
How to edit out pops in speech or singing
The best hardware equalizer ever!
Should you use an equalizer for monitoring in the studio?
PREVIEW: How to set the low frequency controls of the Pultec EQ on kick drum (inc. the Pultec trick)
PREVIEW: A demonstration of compression on female vocal focusing on the ratio and gain controls
A simple mixing tip that will improve nearly all of your mixes
Comparing the cardioid microphone polar pattern at 0 and 90 degrees
Comparison between omnidirectional and cardioid microphone polar patterns
Bad Audio Diary BAD6: Boris Johnson moves his microphone in the House of Commons
Comparing the cardioid microphone polar pattern at 0 and 90 degrees
Bad Audio Diary BAD5: Gabbie Hanna sings a monstrous high note
Comparing two plug ins that emulate the Pultec EQP 1A equalizer
Side chain compression without a side chain input
Waves J37 harmonic enhancement on female vocal with three tape types
A quick demonstration of pan law
How to EQ bass guitar using the Pultec EQP-1A
How to set the low frequency controls of the Pultec equalizer on kick drum (inc. the Pultec trick)
Setting microphone preamplifier gain for both headroom and signal to noise ratio
Waves CLA 76 compressor plug-in on snare drum (Universal Audio 1176 emulation)
Bad Audio Diary BAD4: Just how bad can data compressed audio get?
Bad Audio Diary BAD3: Can you use guitar amplifiers as studio monitors?
Can you hear the difference between a sine wave and a square wave?
Bad Audio Diary BAD2 : Accidental amplification - Can it be avoided?
Bad Audio Diary BAD1: Incredible audio errors in UK government video
Free Download - Equipping Your Home Recording Studio
Free Download - How to avoid these 4 huge mistakes in recording
The two golden rules of microphone placement
Apple and Avid conspire to heist 9 decibels of level!
How to record or amplify the melodica or any unfamiliar instrument
The difference between minimum phase and linear phase EQ on transient signals
Why mono is better than stereo for recording vocals and dialogue
How much difference does mastering really make? [PODCAST]
What exactly does the phrase 'leave headroom for mastering' mean? [PODCAST]
Do some microphones respond to EQ better than others? [PODCAST]
A simple mixing tip that will improve nearly all of your mixes [PODCAST]
The new battlefield in the loudness war?
Gating a noisy bass guitar
The Audio Masterclass Course Tour
Clipping and compressing a drum recording to achieve an exciting sound texture
Compressing the kick drum using different methods for interesting effects
Making a track with Ableton Live, reFX Nexus 2, Lennar Digital Sylenth and Reveal Sound Spire
Additive Synthesis From First Principles
STC 4038 Ribbon Microphone
Band splitting and processing a bass guitar
The importance of neat topping and tailing
Recordings of speech by newly starting Audio Masterclass students
A demonstration of compression on female vocal focusing on the ratio and gain make-up controls
Mixing and enhancement of a recording of drums
Two microphone preamplifiers compared at Abbey Road Studio 2 - tube and transistor
Recordings of acoustic guitar by Audio Masterclass students
Waves CLA-76 compressor plug-in on snare drum (Universal Audio 1176 emulation)
AmpliTube Marshall JTM 100 demo
AmpliTube Fender Bassman demo
AmpliTube Fender Twin Reverb demo
Demonstrating the polar response of an omnidirectional microphone
Cymbal recorded with a Shure SM57 microphone
Microphone scratch test
Demonstrating the Waves J37 analog tape emulation plug-in and comparison with a real tape recorder
The Making of a CD: SinFiction's 'Led By Verses'
Click removal at the start of a track
When is a click not a click? When should you fix a click, and when should you leave it alone?
Noise problem at the end of a mix
Microphone preamplifier comparison by Audio Masterclass
Achieving the 'mastered sound' while keeping a wide dynamic range
Low-level recording of speech
The frequency balance of a HIT RECORD!
Shure SM57 and AKG C451 microphones compared
Stereoizing an electric guitar with pitch change
Vocal harmony effects
Spin echo with low-pass filter
The importance of editing speech cleanly
Adding stereo echo to an acoustic guitar
Children's choir recording problem
Comparison between tube mic+pre and solid-state mic+pre
Violet Design The Globe microphone test at Abbey Road Studio 2
Violet Design Flamingo microphone test at Abbey Road Studio 2
Violet Design Amethyst microphone test at Abbey Road Studio 2
Filtering the vuvuzela by Audio Masterclass
Audio Masterclass: Piano Recording Techniques, Excerpt (Abbey Road Studio 3)
Audio Masterclass: Electric Guitar Recording Techniques, Excerpt (Abbey Road Studio 3)
Audio Masterclass: Drum Recording Techniques - Excerpt, Single Neumann U47 (Abbey Road Studio 3)
Audio Masterclass: Four Classic Compressors Compared - Excerpt, Fairchild 660 (Abbey Road Studio 3)
Audio Masterclass: Acoustic Guitar Recording Techniques - Excerpt (Abbey Road Studio 3)
Microphone Polar Patterns and Stereo Configurations - Excerpt, Cardioid (Abbey Road Studio 2)
What is the difference between recording, mixing, and mastering?
Stereoizing an electric guitar with pitch change
Cymbal recorded with a Shure SM57 microphone
Comparing the cardioid microphone polar pattern at 0 and 90 degrees
A new word for the audio dictionary
Gating a noisy bass guitar
Two microphone preamplifiers compared at Abbey Road Studio 2 - tube and transistor
Filtering the vuvuzela by Audio Masterclass
Microphone preamplifier comparison by Audio Masterclass
What is the difference between audio and MIDI?
Audio Masterclass: Acoustic Guitar Recording Techniques - Excerpt (Abbey Road Studio 3)
Does a mix engineer need a copy of the song lyrics?
Shure SM57 and AKG C451 microphones compared
Free Download - How to avoid these 4 huge mistakes in recording
Quick, professional-grade mastering - All you need is a plug in!
Violet Design Amethyst microphone test at Abbey Road Studio 2
How to use the gain reduction meter in a compressor like the Warm Audio WA-2A Opto Compressor
Graphic equalizer demonstration using the Waves GEQ Classic
Do some microphones respond to EQ better than others? [PODCAST]
Recordings of acoustic guitar by Audio Masterclass students
If tube microphones are so great, why don't we have tube loudspeakers?
Microphones - Will we always connect them to a preamplifier?
Harmonic enhancement: In the master or individual tracks? (Can you hear the difference?)
What is the difference between gain and level?
The new battlefield in the loudness war?
When to pan left, when to pan right
Demonstrating the polar response of an omnidirectional microphone
How to add gated reverb to a snare drum using VerbSuite Classics
WAVs or stems? What's best for your mix? - The Pedalboard Exception
How to record or amplify the melodica or any unfamiliar instrument
How to fix a wandering stereo image in dialog
The Making of a CD: SinFiction's 'Led By Verses'
Parallel compression three ways using the Slate Digital Virtual Mix Rack FG-401 compressor
The difference between minimum phase and linear phase EQ on transient signals
Children's choir recording problem
What is harmonic distortion?
Should I upgrade to the new Mac Pro?
Violet Design Flamingo microphone test at Abbey Road Studio 2
Apple and Avid conspire to heist 9 decibels of level!
Admit it - Do you always raise the microphone up and point it down?
EQ demonstration HF bell boost
The ancient myths and legends of soundproofing
Why mono is better than stereo for recording vocals and dialogue
Noise problem at the end of a mix
Recordings of speech by newly starting Audio Masterclass students
Whats the difference? Recording, Mixing, Mastering
Do cables have a sound of their own?
TONAL BALANCE: Understand what all the words mean
The importance of neat topping and tailing
What do COVID 19 and acoustic feedback have in common?
Low-level recording of speech
Bass - How high can you go? Test your monitors (and your ears)
Adding stereo echo to an acoustic guitar
Spend $40,000 building a studio, and get it all back!
How to record a 50 strong choir and piano accompaniment with just five mics
Bad Audio Diary BAD3: Can you use guitar amplifiers as studio monitors?
Should you use an equalizer for monitoring in the studio?
The frequency balance of a HIT RECORD!
Drums clipped, compressed, EQed, then reverbed, going from clean sound to total madness.
Comparing the cardioid microphone polar pattern at 0 and 90 degrees
Microphone Polar Patterns and Stereo Configurations - Excerpt, Cardioid (Abbey Road Studio 2)
Bad Audio Diary BAD4: Just how bad can data compressed audio get?
PREVIEW: A demonstration of compression on female vocal focusing on the ratio and gain controls
How to make a musical scale from first principles (Pythagoras, Ptolemy)
A quick demonstration of pan law
The Audio Masterclass Course Tour
Loudness normalization using the Waves WLM Plus loudness meter
What is the Neve sound? (Using the Slate Digital FG-73)
Achieving the 'mastered sound' while keeping a wide dynamic range
When you are mixing, what is the first thing you should do? What's the last? What should you NOT DO?
Can you hear the difference between a sine wave and a square wave?
Sine wave tones 20 Hz to 20 kHz - Can you hear them all?
Audio Masterclass: Piano Recording Techniques, Excerpt (Abbey Road Studio 3)
Audio Masterclass: Four Classic Compressors Compared - Excerpt, Fairchild 660 (Abbey Road Studio 3)
Demonstrating the Waves J37 analog tape emulation plug-in and comparison with a real tape recorder
Better theatre sound through proper loudspeaker placement
Bad Audio Diary BAD7: Make the dialog stand out from the background
Loudness levels of pro audio experts
Spin echo with low-pass filter
AmpliTube Fender Bassman demo
The best hardware equalizer ever!
A simple mixing tip that will improve nearly all of your mixes [PODCAST]
Noise as a creative effect
Side chain compression without a side chain input
Band splitting and processing a bass guitar
The two golden rules of microphone placement
Which loudspeakers are best for accurate monitoring?
Should you turn phantom power off if it isn't needed?
AmpliTube Fender Twin Reverb demo
Why do microphones sound different?
How to edit out pops in speech or singing
How to EQ bass guitar using the Pultec EQP-1A
Setting microphone preamplifier gain for both headroom and signal to noise ratio
A demonstration of compression on female vocal focusing on the ratio and gain make-up controls

IN BRIEF

Audio Masterclass TV is a free resource to help home recording studio owners improve the standard of their work. Audio Masterclass TV is available on this website, and via free email subscription.

Audio Masterclass also offers courses in Music Production and Sound Engineering; Advanced Music Production and Sound Engineering; Microphones & Microphone Technique; Digital Audio Workstation Course; Equalization; Compression; Reverb & Effects; MIDI, Synthesis & Sampling; Recording Techniques; Music Production Techniques; Mixing; Mastering.

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