Comparing two plug-ins that emulate the Pultec EQP-1A equalizer
Side chain compression without a side chain input
Waves J37 harmonic enhancement on female vocal with three tape types
A quick demonstration of pan law
How to EQ bass guitar using the Pultec EQP-1A
How to set the low frequency controls of the Pultec EQP-1A on kick drum (includes the Pultec trick)
Setting microphone preamplifier gain for both headroom and signal to noise ratio
Waves CLA 76 compressor plug-in on snare drum (Universal Audio 1176 emulation)
Can you hear the difference between a sine wave and a square wave?
The two golden rules of microphone placement
Apple and Avid conspire to heist 9 decibels of level!
How to record or amplify the melodica or any unfamiliar instrument
The difference between minimum phase and linear phase EQ on transient signals
Why mono is better than stereo for recording vocals and dialogue
How much difference does mastering really make? [PODCAST]
What exactly does the phrase 'leave headroom for mastering' mean? [PODCAST]
Do some microphones respond to EQ better than others? [PODCAST]
A simple mixing tip that will improve nearly all of your mixes [PODCAST]
The new battlefield in the loudness war?
Gating a noisy bass guitar
Clipping and compressing a drum recording to achieve an exciting sound texture
Compressing the kick drum using different methods for interesting effects
Making a track with Ableton Live, reFX Nexus 2, Lennar Digital Sylenth and Reveal Sound Spire
Additive Synthesis From First Principles
Band splitting and processing a bass guitar
The importance of neat topping and tailing
A demonstration of compression on female vocal
Mixing and enhancement of a recording of drums
Waves CLA-76 compressor plug-in on snare drum (Universal Audio 1176 emulation)
Demonstrating the polar response of an omnidirectional microphone
Microphone scratch test
Demonstrating the Waves J37 analog tape emulation plug-in and comparison with a real tape recorder
Click removal at the start of a track
When is a click not a click? When should you fix a click, and when should you leave it alone?
Noise problem at the end of a mix
Achieving the 'mastered sound' while keeping a wide dynamic range
Low-level recording of speech
The frequency balance of a HIT RECORD!
Shure SM57 and AKG C451 microphones compared
Stereoizing an electric guitar with pitch change
Spin echo with low-pass filter
The importance of editing speech cleanly
Adding stereo echo to an acoustic guitar
Children's choir recording problem
Comparison between tube mic+pre and solid-state mic+pre
Filtering the vuvuzela by Audio Masterclass