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Bad Audio Diary BAD2 : Accidental amplification - Can it be avoided?

This video describes an example of what could have been bad audio, but turns out to be surprisingly not bad at all. Then there's a twist (2:52 - thank me later). Check out the Audio Masterclass Music Production and Sound Engineering Course at bit.ly/3W3tpKo

As usual I explain what went wrong, what could have additionally gone wrong, and what the potential solutions would have been.

Audio Masterclass Course Director David Mellor presents.

Links to channels featured in the video...

www.youtube.com/PerceptionUkBand
www.youtube.com/MontyPython
www.youtube.com/JuilliardSchool

Products mentioned in the video..

Miniature microphones: amzn.to/2FQXc4F

Headset microphones: amzn.to/2HQ71lq

Wireless microphones: amzn.to/2TMk1Kg

PA loudspeakers: amzn.to/2FNZnWw

Cello accessories: amzn.to/2HPK2qK

Steven Isserlis CDs: amzn.to/2I4mgXl

Wigmore Hall CDs: amzn.to/2I43TBI

Resonator guitars: amzn.to/2YJ6YwK

Audio Masterclass: www.audiomasterclass.com

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Click removal at the start of a track
How to set the low frequency controls of the Pultec equalizer on kick drum (inc. the Pultec trick)
Admit it - Do you always raise the microphone up and point it down?
What is the difference between gain and level?
AmpliTube Fender Bassman demo
How to eliminate feedback from an acoustic guitar on stage
What is the difference between audio and MIDI?
A demonstration of compression on female vocal focusing on the ratio and gain make-up controls
What will happen if your snare drum clips?
Demonstrating the Waves J37 analog tape emulation plug-in and comparison with a real tape recorder
Violet Design Flamingo microphone test at Abbey Road Studio 2
Bass - How high can you go? Test your monitors (and your ears)
Spin echo with low-pass filter
Quick, professional-grade mastering - All you need is a plug in!
Waves CLA 76 compressor plug-in on snare drum (Universal Audio 1176 emulation)
Demonstrating the polar response of an omnidirectional microphone
Bad Audio Diary BAD6: Boris Johnson moves his microphone in the House of Commons
Shure SM57 and AKG C451 microphones compared
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How to add gated reverb to a snare drum using VerbSuite Classics
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A new word for the audio dictionary
Side chain compression without a side chain input
The ancient myths and legends of soundproofing
Digital reverb for acoustic music should be believable, appropriate, and integrated
The importance of editing speech cleanly
Microphone preamplifier comparison by Audio Masterclass
A quick demonstration of pan law
As a producer, what should you really worry about in your work?
Mixing and enhancement of a recording of drums
Compressing the kick drum using different methods for interesting effects
Microphones - Will we always connect them to a preamplifier?
So Mr. Bond - Who really wrote your theme tune?
Bad Audio Diary BAD7: Make the dialog stand out from the background
When to pan left, when to pan right
The best hardware equalizer ever!
How to EQ bass guitar using the Pultec EQP-1A
Band splitting and processing a bass guitar
Children's choir recording problem
NEW: Audio crossfades come to Final Cut Pro X (FCPX) 10.4.9!
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Should you turn phantom power off if it isn't needed?
What is the Neve sound? (Using the Slate Digital FG-73)
Fat, thin, bright, dull, nasal, hollow, boxy - Understand what all these tonal balance terms mean
Violet Design Amethyst microphone test at Abbey Road Studio 2
How do you record a singer with poor microphone technique?
The amazing stereo effect that no-one can hear
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Sine wave frequencies - Can you hear them all?
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Harmonic distortion with the Soundtoys Decapitator
Free Download - Equipping Your Home Recording Studio
Waves J37 harmonic enhancement on female vocal with three tape types
Why your studio needs a pair of mediocre loudspeakers
Stereoizing an electric guitar with pitch change
PREVIEW: How to set the low frequency controls of the Pultec EQ on kick drum (inc. the Pultec trick)
Give the bass drum more kick with techniques from the 1970s
Two microphone preamplifiers compared at Abbey Road Studio 2 - tube and transistor
How loud would you like me?
Gain Staging Mistakes Part 1: Setting preamp gain
Sine wave tones 20 Hz to 20 kHz - Can you hear them all?
If tube microphones are so great, why don't we have tube loudspeakers?
Waves CLA-76 compressor plug-in on snare drum (Universal Audio 1176 emulation)
Loudness levels of pro audio experts
Whats the difference? Recording, Mixing, Mastering
How loud should the bass instrument be?
What to do in your studio when there's a power cut
How to choose an audio interface
Low-level recording of speech
Bad Audio Diary BAD8: Nature documentaries - Are they making monkeys out of us?
The Cassette Revival - So wrong on so many levels
Audio Masterclass: Electric Guitar Recording Techniques, Excerpt (Abbey Road Studio 3)
Comparison between omnidirectional and cardioid microphone polar patterns
The room you have right now that you can't use as a recording studio
Audio left-right test. Does it matter?
Which loudspeakers are best for accurate monitoring?
The two golden rules of microphone placement
How much bass can a Bluetooth speaker produce?
How to use the gain reduction meter in a compressor like the Warm Audio WA-2A Opto Compressor
Apple and Avid conspire to heist 9 decibels of level!
Achieving the 'mastered sound' while keeping a wide dynamic range
Making a perfect sine wave and animating it
The importance of neat topping and tailing
Learn how to use chorussing (works in all DAWs)
Audio Masterclass: Piano Recording Techniques, Excerpt (Abbey Road Studio 3)
A simple mixing tip that will improve nearly all of your mixes [PODCAST]
How to cheat in the Eurovision Song Contest
The Vinyl Revival - So wrong on so many levels
Harmonic enhancement: In the master or individual tracks? (Can you hear the difference?)
Additive synthesis from first principles (less boring)
Microphone Polar Patterns and Stereo Configurations - Excerpt, Cardioid (Abbey Road Studio 2)
The frequency balance of a HIT RECORD!
When you are mixing, what is the first thing you should do? What's the last? What should you NOT DO?
Using noise as a creative effect with the Waves CLA-1176, Soundtoys Decapitator, and basic DAW EQ
A simple mixing tip that will improve nearly all of your mixes
Cymbal recorded with a Shure SM57 microphone
What do COVID 19 and acoustic feedback have in common?
Parallel compression three ways using the Slate Digital Virtual Mix Rack FG-401 compressor
How the ear hears frequency
What is harmonic distortion?

IN BRIEF

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