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How do you record a singer with poor microphone technique?

You're trying to get a decent recording, but your singer is doing really strange things with the microphone. What do you do?

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Digital reverb for acoustic music should be believable, appropriate, and integrated
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Graphic equalizer demonstration using the Waves GEQ Classic
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Bad Audio Diary BAD8: Nature documentaries - Are they making monkeys out of us?
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What will happen if your snare drum clips?
EQ demonstration HF bell boost
What is the difference between recording, mixing, and mastering?
Give the bass drum more kick with techniques from the 1970s
Bass - How high can you go? Test your monitors (and your ears)
Loudness levels of pro audio experts
Drums clipped, compressed, EQed, then reverbed, going from clean sound to total madness.
What is the Neve sound? (Using the Slate Digital FG-73)
What is harmonic distortion?
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Should you turn phantom power off if it isn't needed?
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Does a mix engineer need a copy of the song lyrics?
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Admit it - Do you always raise the microphone up and point it down?
Mixing tips debunked? Or maybe not.
How to get a drummer to play in time to a click track
A new word for the audio dictionary
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Better theatre sound through proper loudspeaker placement
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Comparison between omnidirectional and cardioid microphone polar patterns
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Comparing the cardioid microphone polar pattern at 0 and 90 degrees
Bad Audio Diary BAD5: Gabbie Hanna sings a monstrous high note
Comparing two plug ins that emulate the Pultec EQP 1A equalizer
Side chain compression without a side chain input
Waves J37 harmonic enhancement on female vocal with three tape types
A quick demonstration of pan law
How to EQ bass guitar using the Pultec EQP-1A
How to set the low frequency controls of the Pultec equalizer on kick drum (inc. the Pultec trick)
Setting microphone preamplifier gain for both headroom and signal to noise ratio
Waves CLA 76 compressor plug-in on snare drum (Universal Audio 1176 emulation)
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Do some microphones respond to EQ better than others? [PODCAST]
A simple mixing tip that will improve nearly all of your mixes [PODCAST]
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The Audio Masterclass Course Tour
Clipping and compressing a drum recording to achieve an exciting sound texture
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Making a track with Ableton Live, reFX Nexus 2, Lennar Digital Sylenth and Reveal Sound Spire
Additive Synthesis From First Principles
STC 4038 Ribbon Microphone
Band splitting and processing a bass guitar
The importance of neat topping and tailing
Recordings of speech by newly starting Audio Masterclass students
A demonstration of compression on female vocal focusing on the ratio and gain make-up controls
Mixing and enhancement of a recording of drums
Two microphone preamplifiers compared at Abbey Road Studio 2 - tube and transistor
Recordings of acoustic guitar by Audio Masterclass students
Waves CLA-76 compressor plug-in on snare drum (Universal Audio 1176 emulation)
AmpliTube Marshall JTM 100 demo
AmpliTube Fender Bassman demo
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Demonstrating the polar response of an omnidirectional microphone
Cymbal recorded with a Shure SM57 microphone
Microphone scratch test
Demonstrating the Waves J37 analog tape emulation plug-in and comparison with a real tape recorder
The Making of a CD: SinFiction's 'Led By Verses'
Click removal at the start of a track
When is a click not a click? When should you fix a click, and when should you leave it alone?
Noise problem at the end of a mix
Microphone preamplifier comparison by Audio Masterclass
Achieving the 'mastered sound' while keeping a wide dynamic range
Low-level recording of speech
The frequency balance of a HIT RECORD!
Shure SM57 and AKG C451 microphones compared
Stereoizing an electric guitar with pitch change
Vocal harmony effects
Spin echo with low-pass filter
The importance of editing speech cleanly
Adding stereo echo to an acoustic guitar
Children's choir recording problem
Comparison between tube mic+pre and solid-state mic+pre
Violet Design The Globe microphone test at Abbey Road Studio 2
Violet Design Flamingo microphone test at Abbey Road Studio 2
Violet Design Amethyst microphone test at Abbey Road Studio 2
Filtering the vuvuzela by Audio Masterclass
Audio Masterclass: Piano Recording Techniques, Excerpt (Abbey Road Studio 3)
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Audio Masterclass: Drum Recording Techniques - Excerpt, Single Neumann U47 (Abbey Road Studio 3)
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Audio Masterclass: Acoustic Guitar Recording Techniques - Excerpt (Abbey Road Studio 3)
Microphone Polar Patterns and Stereo Configurations - Excerpt, Cardioid (Abbey Road Studio 2)
The new battlefield in the loudness war?
How to get a drummer to play in time to a click track
AmpliTube Marshall JTM 100 demo
How to edit out pops in speech or singing
Waves CLA-76 compressor plug-in on snare drum (Universal Audio 1176 emulation)
How do you record a singer with poor microphone technique?
Violet Design Amethyst microphone test at Abbey Road Studio 2
The ancient myths and legends of soundproofing
Vocal harmony effects
When to pan left, when to pan right
EQ demonstration HF bell boost
How to use the gain reduction meter in a compressor like the Warm Audio WA-2A Opto Compressor
Comparing the cardioid microphone polar pattern at 0 and 90 degrees
Drum reverbs - should they linger longer?
Side chain compression without a side chain input
A simple mixing tip that will improve nearly all of your mixes [PODCAST]
Better theatre sound through proper loudspeaker placement
Shure SM57 and AKG C451 microphones compared
Comparison between omnidirectional and cardioid microphone polar patterns
Violet Design The Globe microphone test at Abbey Road Studio 2
Bad Audio Diary BAD4: Just how bad can data compressed audio get?
Bad Audio Diary BAD8: Nature documentaries - Are they making monkeys out of us?
Should I upgrade to the new Mac Pro?
Recordings of acoustic guitar by Audio Masterclass students
Bad Audio Diary BAD3: Can you use guitar amplifiers as studio monitors?
A simple mixing tip that will improve nearly all of your mixes
The difference between minimum phase and linear phase EQ on transient signals
Low-level recording of speech
Which loudspeakers are best for accurate monitoring?
Waves CLA 76 compressor plug-in on snare drum (Universal Audio 1176 emulation)
Can you hear the difference between a sine wave and a square wave?
Stereoizing an electric guitar with pitch change
Noise as a creative effect
Bad Audio Diary BAD5: Gabbie Hanna sings a monstrous high note
Achieving the 'mastered sound' while keeping a wide dynamic range
Clipping and compressing a drum recording to achieve an exciting sound texture
As a producer, what should you really worry about in your work?
Free Download - Equipping Your Home Recording Studio
The best hardware equalizer ever!
PREVIEW: How to set the low frequency controls of the Pultec EQ on kick drum (inc. the Pultec trick)
What is the difference between gain and level?
Apple and Avid conspire to heist 9 decibels of level!
Graphic equalizer demonstration using the Waves GEQ Classic
Harmonic enhancement: In the master or individual tracks? (Can you hear the difference?)
Click removal at the start of a track
Children's choir recording problem
Bad Audio Diary BAD2 : Accidental amplification - Can it be avoided?
Waves J37 harmonic enhancement on female vocal with three tape types
WAVs or stems? What's best for your mix? - The Pedalboard Exception
What is the Neve sound? (Using the Slate Digital FG-73)
Mixing and enhancement of a recording of drums
The two golden rules of microphone placement
How to EQ bass guitar using the Pultec EQP-1A
Give the bass drum more kick with techniques from the 1970s
Band splitting and processing a bass guitar
Drums clipped, compressed, EQed, then reverbed, going from clean sound to total madness.
Demonstrating the polar response of an omnidirectional microphone
Audio Masterclass: Piano Recording Techniques, Excerpt (Abbey Road Studio 3)
Cymbal recorded with a Shure SM57 microphone
The importance of editing speech cleanly
Bass - How high can you go? Test your monitors (and your ears)
Audio Masterclass: Drum Recording Techniques - Excerpt, Single Neumann U47 (Abbey Road Studio 3)
What is a pad? What is it used for? Why does your microphone or preamp have one?
Additive Synthesis From First Principles
Making a track with Ableton Live, reFX Nexus 2, Lennar Digital Sylenth and Reveal Sound Spire
How much difference does mastering really make? [PODCAST]
How to eliminate feedback from an acoustic guitar on stage
Adding stereo echo to an acoustic guitar
Loudness normalization using the Waves WLM Plus loudness meter
Does a mix engineer need a copy of the song lyrics?
Comparing two plug ins that emulate the Pultec EQP 1A equalizer
What will happen if your snare drum clips?
Microphone Polar Patterns and Stereo Configurations - Excerpt, Cardioid (Abbey Road Studio 2)
The Making of a CD: SinFiction's 'Led By Verses'
Sine waves - Can you hear them all?
A demonstration of compression on female vocal focusing on the ratio and gain make-up controls
Spend $40,000 building a studio, and get it all back!
PREVIEW: A demonstration of compression on female vocal focusing on the ratio and gain controls
Parallel compression three ways using the Slate Digital Virtual Mix Rack FG-401 compressor
How loud should the bass instrument be?
Should you turn phantom power off if it isn't needed?
How to make a musical scale from first principles (Pythagoras, Ptolemy)
When you are mixing, what is the first thing you should do? What's the last? What should you NOT DO?
Gating a noisy bass guitar
Quick, professional-grade mastering - All you need is a plug in!
How to fix a wandering stereo image in dialog
Sine wave tones 20 Hz to 20 kHz - Can you hear them all?
Do some microphones respond to EQ better than others? [PODCAST]
What is the difference between recording, mixing, and mastering?
Violet Design Flamingo microphone test at Abbey Road Studio 2
Digital reverb for acoustic music should be believable, appropriate, and integrated
Spin echo with low-pass filter
AmpliTube Fender Bassman demo
Setting microphone preamplifier gain for both headroom and signal to noise ratio

IN BRIEF

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