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How to edit out pops in speech or singing

Microphone pops are an unpleasant side effect of recording. It's best to avoid them in the first place, but what if someone sends you a poppy vocal recording to fix?

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Give the bass drum more kick with techniques from the 1970s
Vocal harmony effects
How loud should the bass instrument be?
Children's choir recording problem
Mixing and enhancement of a recording of drums
How to record a 50 strong choir and piano accompaniment with just five mics
Gating a noisy bass guitar
Why your studio needs a pair of mediocre loudspeakers
The importance of neat topping and tailing
Bad Audio Diary BAD8: Nature documentaries - Are they making monkeys out of us?
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Free Download - Equipping Your Home Recording Studio
Parallel compression three ways using the Slate Digital Virtual Mix Rack FG-401 compressor
Does a mix engineer need a copy of the song lyrics?
Drum reverbs - should they linger longer?
Waves CLA-76 compressor plug-in on snare drum (Universal Audio 1176 emulation)
Apple and Avid conspire to heist 9 decibels of level!
How to add gated reverb to a snare drum using VerbSuite Classics
Admit it - Do you always raise the microphone up and point it down?
EQ demonstration HF bell boost
Side chain compression without a side chain input
Loudness levels of pro audio experts
Bad Audio Diary BAD5: Gabbie Hanna sings a monstrous high note
Quick, professional-grade mastering - All you need is a plug in!
Noise as a creative effect
Comparing the cardioid microphone polar pattern at 0 and 90 degrees
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Demonstrating the polar response of an omnidirectional microphone
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Making a track with Ableton Live, reFX Nexus 2, Lennar Digital Sylenth and Reveal Sound Spire
How do you record a singer with poor microphone technique?
Audio Masterclass: Acoustic Guitar Recording Techniques - Excerpt (Abbey Road Studio 3)
Recordings of speech by newly starting Audio Masterclass students
If tube microphones are so great, why don't we have tube loudspeakers?
PREVIEW: A demonstration of compression on female vocal focusing on the ratio and gain controls
As a producer, what should you really worry about in your work?
What is a pad? What is it used for? Why does your microphone or preamp have one?
What is the difference between gain and level?
Violet Design The Globe microphone test at Abbey Road Studio 2
The room you have right now that you can't use as a recording studio
Low-level recording of speech
Stereoizing an electric guitar with pitch change
Which loudspeakers are best for accurate monitoring?
How to EQ bass guitar using the Pultec EQP-1A
What is the Neve sound? (Using the Slate Digital FG-73)
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STC 4038 Ribbon Microphone
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Clipping and compressing a drum recording to achieve an exciting sound texture
Why mono is better than stereo for recording vocals and dialogue
What will happen if your snare drum clips?
Mixing tips debunked? Or maybe not.
Noise problem at the end of a mix
Adding stereo echo to an acoustic guitar
When is a click not a click? When should you fix a click, and when should you leave it alone?
Should you turn phantom power off if it isn't needed?
When to pan left, when to pan right
The two golden rules of microphone placement
How to edit out pops in speech or singing
Audio Masterclass: Electric Guitar Recording Techniques, Excerpt (Abbey Road Studio 3)
A demonstration of compression on female vocal focusing on the ratio and gain make-up controls
Whats the difference? Recording, Mixing, Mastering
AmpliTube Fender Bassman demo
Bass - How high can you go? Test your monitors (and your ears)
How to use the gain reduction meter in a compressor like the Warm Audio WA-2A Opto Compressor
Should you use an equalizer for monitoring in the studio?
What is the difference between audio and MIDI?
Should I upgrade to the new Mac Pro?
Demonstrating the Waves J37 analog tape emulation plug-in and comparison with a real tape recorder
Cymbal recorded with a Shure SM57 microphone

IN BRIEF

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