Adventures In Audio

Why you should ventilate your home recording studio

You need to ventilate your studio. Why? Because if your sound insulation is good, you have also blocked all the pathways to fresh air.

Do you intend to soundproof your studio? (Actually 'insulate' is the more correct word, but people commonly used 'soundproof' as an adjective or verb.)

It is a pleasure to work in a soundproof studio, free from irritating outside noise, and relaxing in the knowledge that nothing you do will annoy your neighbors.

So to soundproof your room, you add mass to the walls, ceiling, floor, windows and door, exactly as you should. And you make sure that there are no leaks. Sound will find its way through even the tiniest of gaps.

But with effort and attention to detail, you can indeed have a soundproof studio. Perhaps not perfectly so, but effectively so for your purpose.

But there is now a problem. Since you have sealed all the gaps against sound penetration, you have also made your room air-tight.

Indeed, it can often be difficult to open and close the door to a soundproof room because of the air pressure.

Now, as you work in your soundproof studio, you will find that you get hot and stuffy. If there are other people in the room, it will happen more quickly. If there is a singer, he or she will feel uncomfortable first.

Some people who find that that their studio becomes hot and stuffy in use go out and buy an office-type fan. But this merely redistributes the hot and stuffy air around the room. It provides a slight subjective benefit when it is wafting in your direction, but not all that much.

For a cool, fresh working environment you need two things: ventilation and air conditioning. These are two separate processes. Ventilation does not cool the air (unless it's Alaska outside) and air conditioning does not provide fresh oxygen. But you will need to ventilate your studio.

Ventilation is often perfectly adequate in itself. Although the temperature may rise, at least there is oxygen in the air. If you don't mind a hothouse environment, then ventilation from the outside world, using a large fan for quietness, may be enough.

The problem with both ventilation and aircon systems is that they create noise. A professional studio will spend a fortune on its system, installed by a specialist contractor who understands recording studios.

In smaller studios, it is usual to expect noise from the ventilation and aircon systems and simply tolerate it. You can switch them off when you are recording using microphones, and for critical listening during the mix.

Image: Masakazu Matsumoto CC BY 2.0

Monday October 5, 2020

Like, follow, and comment on this article at Facebook, Twitter, Reddit, Instagram or the social network of your choice.

David Mellor

David Mellor

David Mellor is CEO and Course Director of Audio Masterclass. David has designed courses in audio education and training since 1986 and is the publisher and principal writer of Adventures In Audio.

Learn Pro Tools with our amazing range of video courses

Pro Tools video course catalog

Browse Pro Tools courses...

Learn Logic Pro with our amazing range of video courses

Logic Pro video course catalog

Browse Logic Pro courses...

Learn Cubase with our amazing range of video courses

Cubase video course catalog

Browse Cubase courses...

Audio Masterclass gives you all the technical knowledge and skills to bring your musical dreams to life

The Audio Masterclass Music Production and Sound Engineering Course

Get the most from your studio with the Audio Masterclass Music Production and Sound Engineering Course.

Learn more...

More from Adventures In Audio...

Your power amp is average - Here's why

Adding tube warmth with the Freqtube FT-1 - Audio demonstration

Adding tubes to a synth track with Freqport Freqtube

The tiny amp that does (nearly) everything

Can I unmix this track?

Why you need a mono amp in your system - Fosi Audio ZA3 review

Can you get great earbud bass with Soundpeats AIR4 Pro?

24 bits or 96 kHz? Which makes most difference?

16-bit vs. 24-bit - Less noise or more detail?

Are these earphones REALLY lossless? Questyle NHB12

Could this be your first oscilloscope? FNIRSI DSO-TC3

OneOdio Monitor 60 Hi-Res wired headphones full review

Watch me rebuild my studio with the FlexiSpot E7 Pro standing desk

Can a tiny box do all this? Testing the Fosi Audio SK01 headphone amp, preamp, EQ

Hi-Fi comfort OVER your ears? TRUEFREE O1 detailed review

Get the tube sound in your system with the Fosi Audio P3

Any studio you like, any listening room you like - For producers and audiophiles

Hidden Hi-Fi - The equipment you never knew you *didn't* need - Fosi Audio N3

Adding tubes to a jazz mix with Freqport Freqtube

Adding tubes to a rock master with Freqport Freqtube

Adding tubes to female vocals with Freqport Freqtube

Adding tubes to male vocals with Freqport Freqtube

Adding tubes to real drums with Freqport Freqtube

Adding tubes to a bass guitar with Freqport Freqtube