Adventures In Audio

Microphones - Will we always connect them to a preamplifier?

In the future, microphones won't be like the microphones we use today. We won't have to hook them up to a preamplifier. Whoa this is heavy...

I was in my studio minding my own business the other day, when suddenly a time portal opened, right in front of my eyes! Well it wasn't so much of a portal, more of a window into the future.

And what an amazing future it was.

I could see a studio, and only the microphones, but what microphones. And how different they were to the mics we use today.

Current microphone technology has a lot of history behind it. In the early days of microphones the thinking was that the microphone should pick up sound, convert it to electricity, then send that signal down a wire to a purpose-designed microphone preamplifier.

That was good enough in 1906 (when the vacuum tube amplifier was invented) and it still seems to be good enough over a century later.

But through my window to the future, I could see something very different.

In the future all microphones have line level outputs, and they don't need a special preamplifier. You just plug them straight into your console or audio interface at line level.

So all that hassle with preamps has disappeared entirely.

Well, it hasn't disappeared, the microphone preamplifier has just moved to a more sensible place - inside the microphone, where it should be.

Now although my window to the future only showed me this one instant in time, I could imagine the developments that would need to take place in between.

Firstly, a microphone preamplifier needs to have a gain control. Even in the future this is necessary as no-one has found a way around the Johnson noise that has existed throughout all time. I could see in a far corner of the future studio a copy of Sound on Sound magazine and on the cover was some new kind of liquid nitrogen microphone cooling system, but the print was too small to make out the details.

So putting the preamplifier inside the microphone means adjusting the gain actually on the mic?

Well no... the gain is remotely controllable through a system called Phantom Power Plus, or PPP as the futureites know it.

PPP is a little like today's microphone phantom power. But firstly it supplies a lot more current than today's recommended maximum of 10 milliamps. It can supply as much as any microphone preamplifier could possibly require - even using vacuum tube technology (which still exists in the future, by the way).

Secondly it also carries a signal by which the gain of the microphone preamplifier can be controlled remotely.

Amazingly enough, it all happens over a standard 3-conductor XLR cable (still in use) so you can just plug in your mics and not even think about this amazing leap in technology.

Of course, I can imagine that in the future there will be die-hards (who are still intrepid youngsters today) who insist that they need to select a particular preamp to go with a certain microphone.

Well thanks to the other new technology of the future, Plug-in-Pre or PiP, certain models of microphones have plug-in preamp cartridges (standardized across manufacturers), so you really can mix and match just the way you want.

A new development in the PPP (Phantom Power Plus) system promises to remote this too, so that you can dial in a particular preamp's sound directly from the console or computer.

...

And then, as suddenly as the time window opened, it vanished again leaving me with nothing but the present day to gaze upon.

Still, there's a lot to look forward to. Or so I thought at first.

Maybe that time window wasn't actually a window into future time, but a window into an alternate reality.

After all, surely in our own future, microphones will just be digital, like everything else. But after 100 years of pretty much the same thing, who could possibly say when?

P.S. Maybe the future begins right now. It's just getting off to a slow start...

Image credit: Back To The Future

Comments on this video

You can comment on this video at YouTube

You can comment on this video at YouTube

Monday November 4, 2019

Like, follow, and comment on this article at Facebook, Twitter, Reddit, Instagram or the social network of your choice.

David Mellor

David Mellor

David Mellor is CEO and Course Director of Audio Masterclass. David has designed courses in audio education and training since 1986 and is the publisher and principal writer of Adventures In Audio.

Learn Pro Tools with our amazing range of video courses

Pro Tools video course catalog

Browse Pro Tools courses...

Learn Logic Pro with our amazing range of video courses

Logic Pro video course catalog

Browse Logic Pro courses...

Learn Cubase with our amazing range of video courses

Cubase video course catalog

Browse Cubase courses...

Audio Masterclass gives you all the technical knowledge and skills to bring your musical dreams to life

The Audio Masterclass Music Production and Sound Engineering Course

Get the most from your studio with the Audio Masterclass Music Production and Sound Engineering Course.

Learn more...

More from Adventures In Audio...

Your power amp is average - Here's why

Adding tube warmth with the Freqtube FT-1 - Audio demonstration

Adding tubes to a synth track with Freqport Freqtube

The tiny amp that does (nearly) everything

Can I unmix this track?

Why you need a mono amp in your system - Fosi Audio ZA3 review

Can you get great earbud bass with Soundpeats AIR4 Pro?

24 bits or 96 kHz? Which makes most difference?

16-bit vs. 24-bit - Less noise or more detail?

Are these earphones REALLY lossless? Questyle NHB12

Could this be your first oscilloscope? FNIRSI DSO-TC3

OneOdio Monitor 60 Hi-Res wired headphones full review

Watch me rebuild my studio with the FlexiSpot E7 Pro standing desk

Can a tiny box do all this? Testing the Fosi Audio SK01 headphone amp, preamp, EQ

Hi-Fi comfort OVER your ears? TRUEFREE O1 detailed review

Get the tube sound in your system with the Fosi Audio P3

Any studio you like, any listening room you like - For producers and audiophiles

Hidden Hi-Fi - The equipment you never knew you *didn't* need - Fosi Audio N3

Adding tubes to a jazz mix with Freqport Freqtube

Adding tubes to a rock master with Freqport Freqtube

Adding tubes to female vocals with Freqport Freqtube

Adding tubes to male vocals with Freqport Freqtube

Adding tubes to real drums with Freqport Freqtube

Adding tubes to a bass guitar with Freqport Freqtube