Adventures In Audio

Is your studio secure? You could lose more than your equipment!

Of course you have insured your recording equipment and studio premises. You probably have also bought liability insurance so that if someone should drop a 4 x 12 cabinet on their toe and sue you for negligence, your damages and costs will be paid.

But there are other issues in studio security that you might not have thought of. Make mistakes in these areas and you might find that your existing insurance doesn't cover you for what might possibly be a hefty claim for damages.

Firstly, what would happen if your hard disk failed overnight, ruining two weeks work?

Well plainly you have the data backed up, so you will just install a new disk and reload. Won't you?

If you don't have the data backed up and it is truly lost, then hopefully you have a disclaimer in your studio's terms of business that limits recourse to a refund of any money paid up to this point.

If you don't have that, then there is the possibility that a release date might be missed, marketing materials might be wasted - all kinds of costs that the artist's management might lay at your door, without a suitable disclaimer in place.

If master recordings are transported, then plainly they should be backed up, but if they are not, and the carrier loses them, whose responsibility is it? If the carrier was booked by a representative of your studio, it could well be your responsibility. Once again, you need to have a disclaimer in place.

The Internet age has thrown up another security issue. Bands and artists need to keep their recordings private and secret right up until release date. If anything leaks out, it's 100 to 1 on that the recordings will be on file sharing networks within hours.

Of course, bands and record labels 'leak' material all the time in this way for publicity purposes, and then complain that file sharing is costing them money, but that's another story...

If an unwanted leak happens, and it can be traced back to poor security in your studio, then it could well be you that is in trouble.

For advice, consult your music business aware lawyer (not the guy who handled your apartment or house purchase), or contact the APRS in the UK who do have information, and SPARS in the US (who ought to, and probably do).

Thursday November 30, 2006

Like, follow, and comment on this article at Facebook, Twitter, Reddit, Instagram or the social network of your choice.

David Mellor

David Mellor

David Mellor is CEO and Course Director of Audio Masterclass. David has designed courses in audio education and training since 1986 and is the publisher and principal writer of Adventures In Audio.

Audiophiles - You're wasting your money!

Audiophiles - You're wasting your money!

Watch on YouTube...

If you can't hear this then you're not an audiophile

If you can't hear this then you're not an audiophile

Watch on YouTube...

CD vs. 24-bit streaming - Sound of the past vs. sound of the future

CD vs. 24-bit streaming - Sound of the past vs. sound of the future

Watch on YouTube...

The Vinyl Revival - So wrong on so many levels

The Vinyl Revival - So wrong on so many levels

Watch on YouTube...

More from Adventures In Audio...

Get VU meters in your system and in your life [Fosi Audio LC30]

Is this the world's most diabolically expensive DAC? [iFi Diablo 2]

A tiny amplifier with a weird switch in a strange place

Will this DAC/headphone-amp dongle work with *your* phone? [Fosi Audio DS2]

When is a tube power amp not a tube power amp? - Aiyima T9 review

I test the Verum 1 Planar Magnetic headphones for listening and production

Your power amp is average - Here's why

Adding tube warmth with the Freqtube FT-1 - Audio demonstration

Adding tubes to a synth track with Freqport Freqtube

The tiny amp that does (nearly) everything

Can I unmix this track?

Why you need a mono amp in your system - Fosi Audio ZA3 review

Can you get great earbud bass with Soundpeats AIR4 Pro?

24 bits or 96 kHz? Which makes most difference?

16-bit vs. 24-bit - Less noise or more detail?

Are these earphones REALLY lossless? Questyle NHB12

Could this be your first oscilloscope? FNIRSI DSO-TC3

OneOdio Monitor 60 Hi-Res wired headphones full review

Watch me rebuild my studio with the FlexiSpot E7 Pro standing desk

Can a tiny box do all this? Testing the Fosi Audio SK01 headphone amp, preamp, EQ

Hi-Fi comfort OVER your ears? TRUEFREE O1 detailed review

Get the tube sound in your system with the Fosi Audio P3

Any studio you like, any listening room you like - For producers and audiophiles

Hidden Hi-Fi - The equipment you never knew you *didn't* need - Fosi Audio N3