Adventures In Audio

Immersive, hyperreal sound technology from L-Acoustics

Recognizing that L-ISA technology is in ever-increasing demand, L-Acoustics is rolling out L-ISA Auditoria in strategic locations around the globe. Now, demonstrations, training or mixing sessions of L-ISA Immersive Hyperreal Sound technology can be accessed in dozens of locations in L-ISA Auditoria designed to stringent L-Acoustics specifications.

“To support the development of L-ISA technology in the professional audio market, we have developed pre-determined systems for either mobile or permanent L-ISA Auditoria, which can be deployed to support existing partners, artists and potential clients,” explains L-Acoustics Executive Director of Applications Cédric Montrézor. “The network of L-ISA Auditoria around the globe is designed to exacting standards to guarantee the natural, intimate spatialized experience of L-ISA Immersive Hyperreal Sound technology.”

Two versions of the packages are available: a frontal system that delivers the resolution required for optimized source localization, immersive effect and the width required for an effective demonstration of reverb; and the same configuration plus complementary overheads, which enhance the immersive experience and demonstrate the 3D capabilities for direct sound and room engine.

“Over the past 12 months, we have trained 160 high-profile sound designers and mixing engineers in over 25 seminars, which is over 75 days of training in total,” adds L-Acoustics Director of Scientific Outreach & Education Etienne Corteel. “Rolling out additional facilities allows our partners to organize training seminars at their own locations with an L-Acoustics certified trainer and represents an important next step in making L-ISA training available to a wider audience of professionals.”

To date, in addition to the facilities already in place in L-Acoustics’ head office in Marcoussis, France, its L-ISA headquarters in London’s Highgate, DeltaLive in Surrey, UK, and L-Acoustics’ US office in Westlake Village, California, 15 L-ISA Auditoria have been completed. These are situated at Certified Providers Sonoruss in Moscow, Matrix in Denmark, Finland’s Audico, Seoul’s Klausys, Pro Music in Prague, Germany’s Babbel & Haeger, Groh-PA and Wilhelm & Willhalm, LMG in Orlando and New York’s See Factor, and with China’s Rightway in Taipei, Chengdu, Guangzhou, Shanghai and Beijing.

The auditoria serve as demonstration venues, training sites and are also available as a place to prepare mixes for future projects. DeltaLive, which has delivered a fully immersive experience for three years at Thailand’s Wonderfruit festival, has served as preproduction headquarters for electronic artists to prepare their immersive mix for the festival. For details on this project, please visit: https://youtu.be/O5afAo6bpw4

For more information about L-ISA training, visit: www.l-acoustics.com/en/training/l-isa

 

About L-Acoustics

Founded in 1984 near Paris, France, L-Acoustics is the market leader in professional sound reinforcement technologies. With over 400 team members worldwide and offices in Paris, London, Los Angeles, and New York, L-Acoustics is present in over 80 countries via our network of Certified Providers. Focused on solutions that elevate the audience experience, more than 20% of L-Acoustics’ talent is devoted to R&D in the areas of acoustics, applications, mechanics, electronics, signal processing, and software development.

Recognized for pioneering the line source array, L-Acoustics continues to shape the future of the professional audio industry with L-ISA Immersive Hyperreal Sound technology, a multidimensional, object-based approach to designing, mixing, and processing sound that results in extremely natural and intelligible audio and a more vibrant, and authentic connection between artists and their fans.

L-Acoustics technologies can be heard in places like the Hollywood Bowl, the NFL Cardinals State Farm Stadium or the Philharmonie de Paris, as well as the world’s top-grossing festivals, and on tour with world-class artists such as Adele, Pearl Jam, Lorde, and Depeche Mode.

Friday February 7, 2020

Like, follow, and comment on this article at Facebook, Twitter, Reddit, Instagram or the social network of your choice.

Press Desk

Press Desk

Our Press Desk collects press releases from audio manufacters, software developers, and instrument manufacturers and distributors. All content is created by the original company or their PR representives and is only lightly edited for clarity where necessary.

Audiophiles - You're wasting your money!

Audiophiles - You're wasting your money!

Watch on YouTube...

If you can't hear this then you're not an audiophile

If you can't hear this then you're not an audiophile

Watch on YouTube...

CD vs. 24-bit streaming - Sound of the past vs. sound of the future

CD vs. 24-bit streaming - Sound of the past vs. sound of the future

Watch on YouTube...

The Vinyl Revival - So wrong on so many levels

The Vinyl Revival - So wrong on so many levels

Watch on YouTube...

More from Adventures In Audio...

Get VU meters in your system and in your life [Fosi Audio LC30]

Is this the world's most diabolically expensive DAC? [iFi Diablo 2]

A tiny amplifier with a weird switch in a strange place

Will this DAC/headphone-amp dongle work with *your* phone? [Fosi Audio DS2]

When is a tube power amp not a tube power amp? - Aiyima T9 review

I test the Verum 1 Planar Magnetic headphones for listening and production

Your power amp is average - Here's why

Adding tube warmth with the Freqtube FT-1 - Audio demonstration

Adding tubes to a synth track with Freqport Freqtube

The tiny amp that does (nearly) everything

Can I unmix this track?

Why you need a mono amp in your system - Fosi Audio ZA3 review

Can you get great earbud bass with Soundpeats AIR4 Pro?

24 bits or 96 kHz? Which makes most difference?

16-bit vs. 24-bit - Less noise or more detail?

Are these earphones REALLY lossless? Questyle NHB12

Could this be your first oscilloscope? FNIRSI DSO-TC3

OneOdio Monitor 60 Hi-Res wired headphones full review

Watch me rebuild my studio with the FlexiSpot E7 Pro standing desk

Can a tiny box do all this? Testing the Fosi Audio SK01 headphone amp, preamp, EQ

Hi-Fi comfort OVER your ears? TRUEFREE O1 detailed review

Get the tube sound in your system with the Fosi Audio P3

Any studio you like, any listening room you like - For producers and audiophiles

Hidden Hi-Fi - The equipment you never knew you *didn't* need - Fosi Audio N3