Adventures In Audio

How to get a drummer to play in time to a click track

You're recording to a click track, but the drummer just can't hit the beat. What can you do?

A question from an Audio Masterclass website visitor...

How do you get a drummer or guitarist to play to a click track? It seems that I often run into 'musicians' that have never played to a click track before and they find it difficult to play to. Any suggestions?? - Stewart

It's an interesting question why anyone should want to record to a click track. After all, music has been made for thousands of years without a click track, so why start now?

One reason for a click track is so that a song is precisely at the same tempo all the way through. Without a click track it will almost certainly vary slightly.

But if a song maintains the same tempo, it can be edited in any way you like. This method developed in the 1980s when remix versions first became common.

The second reason for playing to a click is so that the contribution of the live musicians can be supplemented with sequenced tracks.

Yes it is possible to synchronize a sequencer to a varying tempo, but it's a lot easier if the tempo doesn't vary in the first place.

(There are other reasons too, but these are enough for now.)

So, how to get the drummer to play to the click? Or the guitarist, except it won't matter so much if he's out of time a little.

There are two keys to this...

Firstly, use a click that is easy to play to.

Secondly, encourage the drummer to practice playing to a click - this doesn't necessarily come naturally to even the best drummers.

Your sequencer will probably generate a metronome pulse, or you could easily sequence a repetitive click.

But this isn't very good for playing to. If the drummer is playing mostly on the beat, then he will be obscuring the clicks. The only occasions when he can hear the click is when he is out of time!

So if you make the click so it includes at least some of the in-between eighth notes, then the drummer will have something to lock on to.

Another strategy is to use a different sound for the click.

A shaker can work well, because there is a little bit of 'shh' before the main pulse of the sound. The drummer can hear this and know when the precise beat is coming.

Of course, you will have to adjust the timing of the sequence to compensate for this.

These methods both work. But the drummer has to help too, by practising. A drummer who can't play to a click isn't necessarily a bad drummer. But if he learns to play to a click, then he will have mastered a very useful technique.

Image credit: Paco

Comments on this video

You can comment on this video at YouTube

You can comment on this video at YouTube

Monday September 16, 2019

Like, follow, and comment on this article at Facebook, Twitter, Reddit, Instagram or the social network of your choice.

David Mellor

David Mellor

David Mellor is CEO and Course Director of Audio Masterclass. David has designed courses in audio education and training since 1986 and is the publisher and principal writer of Adventures In Audio.

Learn Pro Tools with our amazing range of video courses

Pro Tools video course catalog

Browse Pro Tools courses...

Learn Logic Pro with our amazing range of video courses

Logic Pro video course catalog

Browse Logic Pro courses...

Learn Cubase with our amazing range of video courses

Cubase video course catalog

Browse Cubase courses...

Audio Masterclass gives you all the technical knowledge and skills to bring your musical dreams to life

The Audio Masterclass Music Production and Sound Engineering Course

Get the most from your studio with the Audio Masterclass Music Production and Sound Engineering Course.

Learn more...

More from Adventures In Audio...

Hi-Fi comfort OVER your ears? TRUEFREE O1 detailed review

Get the tube sound in your system with the Fosi Audio P3

Any studio you like, any listening room you like - For producers and audiophiles

Hidden Hi-Fi - The equipment you never knew you *didn't* need - Fosi Audio N3

Adding tubes to a jazz mix with Freqport Freqtube

Adding tubes to a rock master with Freqport Freqtube

Adding tubes to female vocals with Freqport Freqtube

Adding tubes to male vocals with Freqport Freqtube

Adding tubes to real drums with Freqport Freqtube

Adding tubes to a bass guitar with Freqport Freqtube

Adding tubes to speech with Freqport Freqtube

Adding tubes to an acoustic guitar with Freqport Freqtube

Parabolic reflector microphone - Sound On Sound latest issue

Your power amp is average - Here's why

MANCAVE REVIEW: In-ear monitors - Better than earbuds?

Can this tiny amp really produce 600 watts? - Fosi Audio V3

MANCAVE - Recreating Olivia Rodrigo's 'Vampire' vocal

Why does this song sound so bad?

Audiophiles - You're all wrong!

MANCAVE RE-REVIEW: OpenRock Pro earbuds in language Audiophiles can understand

MANCAVE REVIEW: OpenRock Open-Ear Air Conduction Sport Earbuds

Can lossy digital audio be better than lossless?

Man-Cave: Microphone mysteries revealed

How I improved my audio - From the Mancave