Adventures In Audio

How photography can tell you something about the professional standard of your audio

Photography and audio are as different as chalk and cheese. But professionally, both photographers and sound engineers (or music producers) need to satisfy their clients. If they do, they eat. If they don't, they starve.

"Anyone can take a photograph", one might say. Well yes, anyone can. But can you take stunning photographs day after day, week after week? Can you take photographs that people will pay for? That's a different thing entirely.

We use photographs at Audio Masterclass and Audio Masterclass. Many of the photographs are highly professional in quality. Equipment manufacturers commission highly-skilled photographers to make their gear look sexy, and they hope that these photographs will be seen by as many prospective purchasers as possible. We're happy to help with that when the photos suit our purposes.

But often in Audio Masterclass we just need a photo that illustrates an article in some way, and using an equipment photo wouldn't be relevant. We source these photos from photo libraries.

The first-call photo library for many media organizations is, you may be surprised, Flickr.com. This is because many of the contributors to Flickr allow their work to be used free of charge, with just a credit to the photographer, which is most easily provided by linking to their photo stream. Click the photo at the top of this page for an example.

However, finding a really good, striking, photograph on any particular topic on Flickr is tough. Most of the photographs on Flickr are nothing more than casual amateur snaps. Hardly the 'painting with light' that the word 'photography' derives from.

But there is a source of higher-quality photographs - iStockPhoto.

Although the photos on iStockPhoto are not free to use, most of them are quite cheap. And it is possible to pay a one-off licence to use the photo as much as you like. That is very convenient, in comparison with licences where you have to account for how an image is used and perhaps re-license every year.

Now, I say that the photos at iStockPhoto are higher in quality than Flickr, but many of them look more like they were shot by photography students than seasoned professionals. Particularly those that use a model - the combination of inexperienced model and inexperienced photographer make for a less than fully pro result.

To find the best in photography, one has to go elsewhere - to Getty Images. You can look through the Getty catalog and see page after page of truly stunning photographs. This is where the best photographers place their work. As you might expect however, it costs a significant amount of money to license a Getty image. More than Audio Masterclass can afford. Much more.

How this relates to audio is that these three photo libraries illustrate the difference between amateur, semi-pro and fully pro very clearly. The top professionals in photography have the knowledge, skills and experience to turn out work that is simply better than the others can achieve. And there is a big difference between semi and fully pro. So next time you finish a recording project, ask yourself how it stands in the rankings of professionalism.

Is it Flickr, iStockPhoto or Getty?

P.S. The image at the top of the page is nice and certainly better than I could have taken, but a Getty photographer would have gotten rid of the mic stand on the right, and have a selection of a hundred similar images from the same shoot to choose from.

Friday June 22, 2012

Like, follow, and comment on this article at Facebook, Twitter, Reddit, Instagram or the social network of your choice.

David Mellor

David Mellor

David Mellor is CEO and Course Director of Audio Masterclass. David has designed courses in audio education and training since 1986 and is the publisher and principal writer of Adventures In Audio.

Audiophiles - You're wasting your money!

Audiophiles - You're wasting your money!

Watch on YouTube...

If you can't hear this then you're not an audiophile

If you can't hear this then you're not an audiophile

Watch on YouTube...

CD vs. 24-bit streaming - Sound of the past vs. sound of the future

CD vs. 24-bit streaming - Sound of the past vs. sound of the future

Watch on YouTube...

The Vinyl Revival - So wrong on so many levels

The Vinyl Revival - So wrong on so many levels

Watch on YouTube...

More from Adventures In Audio...

Get VU meters in your system and in your life [Fosi Audio LC30]

Is this the world's most diabolically expensive DAC? [iFi Diablo 2]

A tiny amplifier with a weird switch in a strange place

Will this DAC/headphone-amp dongle work with *your* phone? [Fosi Audio DS2]

When is a tube power amp not a tube power amp? - Aiyima T9 review

I test the Verum 1 Planar Magnetic headphones for listening and production

Your power amp is average - Here's why

Adding tube warmth with the Freqtube FT-1 - Audio demonstration

Adding tubes to a synth track with Freqport Freqtube

The tiny amp that does (nearly) everything

Can I unmix this track?

Why you need a mono amp in your system - Fosi Audio ZA3 review

Can you get great earbud bass with Soundpeats AIR4 Pro?

24 bits or 96 kHz? Which makes most difference?

16-bit vs. 24-bit - Less noise or more detail?

Are these earphones REALLY lossless? Questyle NHB12

Could this be your first oscilloscope? FNIRSI DSO-TC3

OneOdio Monitor 60 Hi-Res wired headphones full review

Watch me rebuild my studio with the FlexiSpot E7 Pro standing desk

Can a tiny box do all this? Testing the Fosi Audio SK01 headphone amp, preamp, EQ

Hi-Fi comfort OVER your ears? TRUEFREE O1 detailed review

Get the tube sound in your system with the Fosi Audio P3

Any studio you like, any listening room you like - For producers and audiophiles

Hidden Hi-Fi - The equipment you never knew you *didn't* need - Fosi Audio N3