Harmonic distortion with the Soundtoys Decapitator
Harmonic distortion is the soul of electric music. But what is it? How do we make it? And what does it sound like on a simple source like a sine wave, and then applied to an electric guitar?
Automated transcript
Let's have some fun with harmonic distortion what is distortion and what's this harmonic thingy what's it today you're going to find out learn audio online with audio masterclass audiomasterclass.com let's start with a totally clean sine wave of 100 hertz that's all you'll hear 100 hertz with no other frequency components you'll need to be on speakers or headphones that can handle 100hz if you're listening on laptop speakers you probably won't hear much
why did i choose 100 hertz well it leaves plenty of room in the upper frequencies for harmonics and that's what i'm interested in today it would be nice to visualize this so i'll play the 100hz sine wave through an oscilloscope
plugin
we can see the frequency components more clearly using a spectrograph there will be only one at 100 hertz
the spreading out at the bottom of the spectrogram plot is so my mathematical friend tells me due to spectral leakage and you can either ignore it or look it up online let's just ignore it for now so now i'm going to create some distortion one way to do this is to insert a harmonic enhancement plugin i'm going to use the sound toys decapitator i'll start with the default settings
we can also look at this in the oscilloscope
there isn't much to see here but if we look at the spectrogram
now we can see that there's a strong component at 100 hertz which we expect and also components at 200 hertz and 300 hertz so the plug-in has created additional frequencies that were not originally present 200 hertz and 300 hertz a whole number multiples of the original 100 hertz frequency this is usual in string and wind musical instruments and also the human voice we call it the harmonic series in this case 100 hertz is the fundamental and also the first harmonic 200 hertz and 300 hertz are the second and third harmonics respectively because of the similar pattern of frequencies to the harmonic series we call this type of distortion harmonic distortion right now the distortion is fairly mild but i can easily increase it using the drive control of the decapitator
let's look at it in the oscilloscope
and the spectrogram
we can see changes in the waveform clearly the tops and bottoms of the waveform have been squared off the tilt is due to the low cut filter which is set to 20 hertz also the positive going and negative going halves of the waveform are slightly asymmetric every change from the shape of the sine wave contributes to the sound texture in the spectrogram we now see a mass of harmonics all at whole number multiples of the original 100 hertz fundamental some are missing and i'll attribute this to quirks in the decapitator plugin all of this is interesting but how does it apply to a real world instrument well here's an electric guitar
ish
it's a software instrument guitar and it sounds really quite weak like a real electric guitar direct from the jack but if i add the same distortion as i did to the sine wave it sounds like this
and with a little echo and reverb and maybe just a touch of mod will while i
play
at this point it sounds perfectly usable musically and would improve further with tweaking of the controls and of course this is just one distortion plugin and one setting there's an almost infinite variety of distortion effects and settings from which to choose the tune by the way is from caroline by sky i'll put a couple of links in the description oh and if you think you can get exactly the same sound as the carolin solo from a software instrument let me know and if i think it's close enough i'll feature your work here in this channel distortion is an amazingly useful audio process and in this quick video i've only just scratched the surface of the possibilities i'm david meller course director of audio master class thank you for listening.
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@jubinroy4987: Seems you’ve added decapitator in front of guitar . Add it to a separate channel and send clean signal to that channel. Otherwise it sounds like noise
@galaballi: Great video Do you prefer this one over the SSl saturation? :)
@nao237: Thank you very much :) Very useful!
@PMMMARIO: Should i get this one or devil-loc deluxe?
@AudioMasterclass replies to @PMMMARIO: It may come down to price and you'll have fun with either. The Decapitator is more versatile though. Don't forget that today (at my time of writing) is Black Friday. DM
@odedfried-gaon2880: Excellent, and straightforward. only thing is those 10sec examples are too long. thanks.
#OdedFriedGaon #OdedMusic #OdedInformation #Audioded
@joechapman8208: Not sure about Eric Idle's new material
@wakeforldmusic: nice
@buddyxxx2951: For a sec I thought Paul McCartney was explaining this!
@AudioMasterclass replies to @buddyxxx2951: I've been getting this since I was 15. I don't see it at all - I don't look like him, I don't sound like him, and it's well known that I have no musical talent. DM
@buddyxxx2951 replies to @buddyxxx2951: @AudioMasterclass I am sorry, I couldn't imagine it could bother you. Most of the times we see what we want to see but it's just me being a fan boy of The Beatles and their solo works. Didn't mean to offend you, I was just astonished by it after I enjoyed the whole explanation you made in the video. Next time I will stick to it. I apologise.
@AudioMasterclass replies to @buddyxxx2951: @buddyxxx2951 I'm going to apologise back. It doesn't bother me at all, I just find it curious. Clearly the tone of my previous reply didn't convey this, so I could have phrased it better. But in the wise words of Bobby McFerrin, "Don't worry, be happy" DM
@theblowupdollsmusic: Great intro video! You might want to think about revisiting this and adding information on aliasing, and foldback distortion in regards to saturation using lower sample rates.
@AudioMasterclass replies to @theblowupdollsmusic: In this case the distortion was in the sweep, and it wouldn't surprise me if it was caused by aliasing. I remember the days when some samplers used to alias and, though it might not be technically correct, I often did like the lively sizzling sound it made. Just as some people liked the crunchy non-linear 12-bit sampling of the original Akai MPC 60. These are topics I may explore in future. DM
@MrPKenneally: this plugin becomes really addictive...
drums sound thin? decap
vocals getting buried? decap
designing a lead? decap
it makes your track really loud very quickly so need to use it in a subtle way
@TiagoFrancomusic: Fantastic explanation. Thank you!
@AudioMasterclass replies to @TiagoFrancomusic: You're welcome. DM
@talgy2671: Finally someone did a deep look review into this plugin behaviour. Thank you.
@AudioMasterclass replies to @talgy2671: Thank you for your comment. I hope to go deeper still in a future video. DM
@jamesst-clair7635: Incredibly versatile unit!! still one of the best
@utkarsh12: this plugin becomes really addictive...
drums sound thin? decap
vocals getting buried? decap
designing a lead? decap
it makes your track really loud very quickly so need to use it in a subtle way
@utkarsh12: this plugin becomes really addictive...
drums sound thin? decap
vocals getting buried? decap
designing a lead? decap
it makes your track really loud very quickly so need to use it in a subtle way
@pluglife2393 replies to @utkarsh12: this plugin becomes really addictive...
drums sound thin? decap
vocals getting buried? decap
designing a lead? decap
it makes your track really loud very quickly so need to use it in a subtle way
@ChimaAnya: You just sold me this plug in lol that guitar sounded so bad by the end had SAUCE
@AudioMasterclass replies to @ChimaAnya: And that's without really trying. I didn't get the plug-in free by the way, nor a commission. I just like it. DM
@waynepayne864 replies to @ChimaAnya: @AudioMasterclass yeah that guitar sounded like ass the first time ngl but the reverb saved it
@jallen3770: Mike Dean's dad just taught me a lot!
@AudioMasterclass replies to @jallen3770: You're welcome. But I wonder who my son might be... https://en.wikipedia.org/wiki/Mike_Dean_(record_producer) https://en.wikipedia.org/wiki/Mike_Dean_(musician) https://en.wikipedia.org/wiki/Mike_Dean_(politician) or maybe https://en.wikipedia.org/wiki/Mike_Dean_(referee) DM
@jallen3770 replies to @jallen3770: @AudioMasterclass Lol. Mike Dean the music producer/engineer
@AudioMasterclass replies to @jallen3770: @jallen3770 Well if I could reverse-inherit his musical skills that would be nice. DM
@shine_uno: i love the caoba style radiator
@jarcauco: Great lesson. Thank you.
@AudioMasterclass replies to @jarcauco: You're welcome.
@pqpguilhermepqp: Thanks a lot for your classes, this is great information. After you finished adding the effects to the digital guitar, like distortion, reverb and so on, even though it's very similar to a real guitar, it still sounds a little different. Like you could tell the difference from a digital guitar to a real guitar in a blind test. Do you know what is "missing" in the digital guitar audio maker?
@AudioMasterclass replies to @pqpguilhermepqp: I have a detailed article with examples at https://www.audiomasterclass.com/newsletter/can-an-electric-guitar-virtual-instrument-ever-sound-like-a-real-electric-guitar My view is that even if everything about the sound is perfect, it's the playing that makes the difference. Having said that, if you play in a way that suits the virtual instrument, then it can sound very convincing. DM
@correametal: David, I can't thank you enough for all the great information you are providing us with. Excellent as always!
@AudioMasterclass replies to @correametal: You're welcome.
@ahmedyadam7240: Simple yet to the point
Much appreciated
@AudioMasterclass replies to @ahmedyadam7240: You're welcome.