Adventures In Audio

Do plug-ins sound like the analog equipment they emulate?

A noted outboard manufacturer with a powerful software development team once ran a comparison test between hardware compressors and their software emulations. Even with technology that is now several years old, the results were impressive. It was VERY difficult to tell which recording was hardware and which was emulation. In a properly controlled test it is likely that most people, even experienced engineers, wouldn't have been able to tell the difference reliably.

So, according to this evidence, plug-ins can sound exactly like the hardware they emulate. But that doesn't tell the whole story...

Firstly, just because a software developer is able to make an interface that looks beautifully like a battle-hardened compressor from the 1960s doesn't mean that their emulation is as good. Some software emulations are, as mentioned above, almost exactly like the real thing. Some, unfortunately, are nothing like it.

Anyone buying a plug-in emulation of a compressor would need access to the real hardware to make a realistic comparison. And it's worth bearing in mind that real-life examples of the same compressor don't always sound the same. Circuit designs change over time; components differ; age affects different units in different ways.

Secondly, but equal in importance, is that is isn't just the steady-state settings that govern the subjective 'sound' of a compressor, or any other audio processor. It's what happens when you adjust the controls. How a unit reacts to user input is just as much part of the sound. Think of a compressor or an equalizer as a musical instrument and you'll get the picture.

But perhaps it doesn't matter how good an emulation is. Most software developers of repute offer trial versions of their products. If you download a plug-in and find that you can do great things with it, it doesn't matter how close an emulation it is to any analog hardware. And if you don't like it, then if it really is a 100% accurate emulation, you wouldn't have liked the original hardware anyway.

There's a certain joy in having nice equipment, just for its own sake. And a plug-in that looks good is surely more pleasant to use than one that doesn't. But ultimately if the sound of a plug-in pleases you, and more importantly the results you achieve please your client or market, then that's all that's needed.

Sunday March 10, 2013

Like, follow, and comment on this article at Facebook, Twitter, Reddit, Instagram or the social network of your choice.

David Mellor

David Mellor

David Mellor is CEO and Course Director of Audio Masterclass. David has designed courses in audio education and training since 1986 and is the publisher and principal writer of Adventures In Audio.

Audiophiles - You're wasting your money!

Audiophiles - You're wasting your money!

Watch on YouTube...

If you can't hear this then you're not an audiophile

If you can't hear this then you're not an audiophile

Watch on YouTube...

CD vs. 24-bit streaming - Sound of the past vs. sound of the future

CD vs. 24-bit streaming - Sound of the past vs. sound of the future

Watch on YouTube...

The Vinyl Revival - So wrong on so many levels

The Vinyl Revival - So wrong on so many levels

Watch on YouTube...

More from Adventures In Audio...

Get VU meters in your system and in your life [Fosi Audio LC30]

Is this the world's most diabolically expensive DAC? [iFi Diablo 2]

A tiny amplifier with a weird switch in a strange place

Will this DAC/headphone-amp dongle work with *your* phone? [Fosi Audio DS2]

When is a tube power amp not a tube power amp? - Aiyima T9 review

I test the Verum 1 Planar Magnetic headphones for listening and production

Your power amp is average - Here's why

Adding tube warmth with the Freqtube FT-1 - Audio demonstration

Adding tubes to a synth track with Freqport Freqtube

The tiny amp that does (nearly) everything

Can I unmix this track?

Why you need a mono amp in your system - Fosi Audio ZA3 review

Can you get great earbud bass with Soundpeats AIR4 Pro?

24 bits or 96 kHz? Which makes most difference?

16-bit vs. 24-bit - Less noise or more detail?

Are these earphones REALLY lossless? Questyle NHB12

Could this be your first oscilloscope? FNIRSI DSO-TC3

OneOdio Monitor 60 Hi-Res wired headphones full review

Watch me rebuild my studio with the FlexiSpot E7 Pro standing desk

Can a tiny box do all this? Testing the Fosi Audio SK01 headphone amp, preamp, EQ

Hi-Fi comfort OVER your ears? TRUEFREE O1 detailed review

Get the tube sound in your system with the Fosi Audio P3

Any studio you like, any listening room you like - For producers and audiophiles

Hidden Hi-Fi - The equipment you never knew you *didn't* need - Fosi Audio N3