Adventures In Audio

Admit it - do you always raise the microphone up and point it down?

Watch someone setting up a microphone for an instrument (other than a singer). They will raise the boom to higher than head height, then point the microphone down at the instrument.

OK, lets examine the logic in this. Perhaps...

  • Evolution was wrong, and we should have had extensible ears on stalks to get a higher perspective.
  • Instruments offer a better sound quality in the upwards direction where no-one is going to hear it. Their designers designed them this way.
  • Sound rises. To have the mic too low risks not capturing all of it.
  • Microphones were not designed to be used with the diaphragm vertical. It needs to be angled down so that it sags a little and becomes differently responsive to the sound field.
  • Setting a mic stand vertical is too safe and sensible. It is better to work 'on the edge' and set the stand so it risks falling over.

Honestly, it isn't hard to get as cynical as this if you just practice a little every day ;-)

I am very much in favor of people placing mics as they feel is best, but I can't help getting the feeling that they do this because that's what they have seen, and then of course perpetuate the myth.

Let's start from first principles. The average distance from the ground of the human ear is somewhere around 160-170 centimeters, give or take. Acoustic instruments have without exception been designed to sound good to the human ear, so why ever place the mic higher than that?

Then consider that people most often enjoy music from a seated position, so the height of the ear falls to around 140 cm. (4 feet 6 inches for the metrically challenged), so there is a good case to make that a mic should never be placed higher than this.

Try it! I guarantee that the mic will look ridiculously low. But that's where people listen from, so could all those people be wrong?

Yes, that's it! What we really need is to bring listening into line with microphone technique and give people a box to stand on so they can 'listen down' on an instrument the same way that mics do!

So next time you set a mic on an acoustic instrument, ask yourself whether you are aping microphone technique you have seen elsewhere? Or have you thought for yourself? More important...

Have you experimented for yourself?

Comments on this video

You can comment on this video at YouTube

@ronbynum7304:  This is an incredibly prescient topic, and, one will add, an issue I've seen more often than not. I hold a similar opinion about close micing - no listener ever puts their ear up against a guitar cab or a kick drum - it's why engineers should position at least one microphone to capture the sound from the listener's perspective. Great subject to cover.

You can comment on this video at YouTube

Wednesday September 18, 2019

Like, follow, and comment on this article at Facebook, Twitter, Reddit, Instagram or the social network of your choice.

David Mellor

David Mellor

David Mellor is CEO and Course Director of Audio Masterclass. David has designed courses in audio education and training since 1986 and is the publisher and principal writer of Adventures In Audio.

Learn Pro Tools with our amazing range of video courses

Pro Tools video course catalog

Browse Pro Tools courses...

Learn Logic Pro with our amazing range of video courses

Logic Pro video course catalog

Browse Logic Pro courses...

Learn Cubase with our amazing range of video courses

Cubase video course catalog

Browse Cubase courses...

Audio Masterclass gives you all the technical knowledge and skills to bring your musical dreams to life

The Audio Masterclass Music Production and Sound Engineering Course

Get the most from your studio with the Audio Masterclass Music Production and Sound Engineering Course.

Learn more...

More from Adventures In Audio...

Hi-Fi comfort OVER your ears? TRUEFREE O1 detailed review

Get the tube sound in your system with the Fosi Audio P3

Any studio you like, any listening room you like - For producers and audiophiles

Hidden Hi-Fi - The equipment you never knew you *didn't* need - Fosi Audio N3

Adding tubes to a jazz mix with Freqport Freqtube

Adding tubes to a rock master with Freqport Freqtube

Adding tubes to female vocals with Freqport Freqtube

Adding tubes to male vocals with Freqport Freqtube

Adding tubes to real drums with Freqport Freqtube

Adding tubes to a bass guitar with Freqport Freqtube

Adding tubes to speech with Freqport Freqtube

Adding tubes to an acoustic guitar with Freqport Freqtube

Parabolic reflector microphone - Sound On Sound latest issue

Your power amp is average - Here's why

MANCAVE REVIEW: In-ear monitors - Better than earbuds?

Can this tiny amp really produce 600 watts? - Fosi Audio V3

MANCAVE - Recreating Olivia Rodrigo's 'Vampire' vocal

Why does this song sound so bad?

Audiophiles - You're all wrong!

MANCAVE RE-REVIEW: OpenRock Pro earbuds in language Audiophiles can understand

MANCAVE REVIEW: OpenRock Open-Ear Air Conduction Sport Earbuds

Can lossy digital audio be better than lossless?

Man-Cave: Microphone mysteries revealed

How I improved my audio - From the Mancave