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Bad Audio Diary BAD8: Nature documentaries - Are they making monkeys out of us?

Are the sound effects in nature documentaries real? Are 99% of them real? Or are 99% fake? This video reveals all with examples from the BBC's 'Primates' and commentary from a top dubbing mixer. Check out the Audio Masterclass Music Production and Sound Engineering Course at bit.ly/3W3tpKo

And what if they're not real? Does it matter if they tell the story correctly and you hear things as though you were there?

What if sound effects editors exaggerate the sounds? Will the documentary still represent the real world, or will it enter the world of fantasy?

Judge for yourselves!

CREDITS:

www.bbc.co.uk/programmes/m000hrg0
www.youtube.com/watch?v=F7P8MAL4H0k

Bad Audio Diary BAD7: Make the dialog stand out from the background
Bad Audio Diary BAD6: Boris Johnson moves his microphone in the House of Commons
Bad Audio Diary BAD5: Gabbie Hanna sings a monstrous high note
Bad Audio Diary BAD4: Just how bad can data compressed audio get?
Bad Audio Diary BAD3: Can you use guitar amplifiers as studio monitors?
Bad Audio Diary BAD2 : Accidental amplification - Can it be avoided?
Bad Audio Diary BAD1: Incredible audio errors in UK government video
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How to set the low frequency controls of the Pultec equalizer on kick drum (inc. the Pultec trick)
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Bad Audio Diary BAD8: Nature documentaries - Are they making monkeys out of us?
Vocal harmony effects
Bad Audio Diary BAD5: Gabbie Hanna sings a monstrous high note
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IN BRIEF

Audio Masterclass TV is a free resource to help home recording studio owners improve the standard of their work. Audio Masterclass TV is available on this website, and via free email subscription.

Audio Masterclass also offers courses in Music Production and Sound Engineering; Advanced Music Production and Sound Engineering; Microphones & Microphone Technique; Digital Audio Workstation Course; Equalization; Compression; Reverb & Effects; MIDI, Synthesis & Sampling; Recording Techniques; Music Production Techniques; Mixing; Mastering.

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