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AmpliTube Fender Twin Reverb demo

www.AudioMasterclass.com - The AmpliTube Fender Twin Reverb amp emulation. Fender Stratocaster guitar, switching through all three pickups, followed by Fender Precision bass.

How to EQ bass guitar using the Pultec EQP-1A
How to set the low frequency controls of the Pultec EQP-1A on kick drum (includes the Pultec trick)
Setting microphone preamplifier gain for both headroom and signal to noise ratio
Waves CLA 76 compressor plug-in on snare drum (Universal Audio 1176 emulation)
Bad Audio Diary BAD4: Just how bad can data compressed audio get?
Bad Audio Diary BAD3: Can you use guitar amplifiers as studio monitors?
Can you hear the difference between a sine wave and a square wave?
Bad Audio Diary BAD2 : Accidental amplification - Can it be avoided?
Bad Audio Diary BAD1: Incredible audio errors in UK government video
Free Download - Equipping Your Home Recording Studio
Free Download - How to avoid these 4 huge mistakes in recording
The two golden rules of microphone placement
Apple and Avid conspire to heist 9 decibels of level!
How to record or amplify the melodica or any unfamiliar instrument
The difference between minimum phase and linear phase EQ on transient signals
Why mono is better than stereo for recording vocals and dialogue
How much difference does mastering really make? [PODCAST]
What exactly does the phrase 'leave headroom for mastering' mean? [PODCAST]
Do some microphones respond to EQ better than others? [PODCAST]
A simple mixing tip that will improve nearly all of your mixes [PODCAST]
The new battlefield in the loudness war?
Gating a noisy bass guitar
The Audio Masterclass Course Tour
Clipping and compressing a drum recording to achieve an exciting sound texture
Compressing the kick drum using different methods for interesting effects
Making a track with Ableton Live, reFX Nexus 2, Lennar Digital Sylenth and Reveal Sound Spire
Additive Synthesis From First Principles
STC 4038 Ribbon Microphone
Band splitting and processing a bass guitar
The importance of neat topping and tailing
Recordings of speech by newly starting Audio Masterclass students
A demonstration of compression on female vocal
Mixing and enhancement of a recording of drums
Two microphone preamplifiers compared at Abbey Road Studio 2 - tube and transistor
Recordings of acoustic guitar by Audio Masterclass students
Waves CLA-76 compressor plug-in on snare drum (Universal Audio 1176 emulation)
AmpliTube Marshall JTM 100 demo
AmpliTube Fender Bassman demo
Demonstrating the polar response of an omnidirectional microphone
Cymbal recorded with a Shure SM57 microphone
Microphone scratch test
Demonstrating the Waves J37 analog tape emulation plug-in and comparison with a real tape recorder
The Making of a CD: SinFiction's 'Led By Verses'
Click removal at the start of a track
When is a click not a click? When should you fix a click, and when should you leave it alone?
Noise problem at the end of a mix
Microphone preamplifier comparison by Audio Masterclass
Achieving the 'mastered sound' while keeping a wide dynamic range
Low-level recording of speech
The frequency balance of a HIT RECORD!
Shure SM57 and AKG C451 microphones compared
Stereoizing an electric guitar with pitch change
Vocal harmony effects
Spin echo with low-pass filter
The importance of editing speech cleanly
Adding stereo echo to an acoustic guitar
Children's choir recording problem
Comparison between tube mic+pre and solid-state mic+pre
Violet Design The Globe microphone test at Abbey Road Studio 2
Violet Design Flamingo microphone test at Abbey Road Studio 2
Violet Design Amethyst microphone test at Abbey Road Studio 2
Filtering the vuvuzela by Audio Masterclass
Audio Masterclass: Piano Recording Techniques, Excerpt (Abbey Road Studio 3)
Audio Masterclass: Electric Guitar Recording Techniques, Excerpt (Abbey Road Studio 3)
Audio Masterclass: Drum Recording Techniques - Excerpt, Single Neumann U47 (Abbey Road Studio 3)
Audio Masterclass: Four Classic Compressors Compared - Excerpt, Fairchild 660 (Abbey Road Studio 3)
Audio Masterclass: Acoustic Guitar Recording Techniques - Excerpt (Abbey Road Studio 3)
Microphone Polar Patterns and Stereo Configurations - Excerpt, Cardioid (Abbey Road Studio 2)
AmpliTube Marshall JTM 100 demo
Mixing and enhancement of a recording of drums
Audio Masterclass: Acoustic Guitar Recording Techniques - Excerpt (Abbey Road Studio 3)
The difference between minimum phase and linear phase EQ on transient signals
AmpliTube Fender Twin Reverb demo
Bad Audio Diary BAD1: Incredible audio errors in UK government video
Apple and Avid conspire to heist 9 decibels of level!
Microphone scratch test
A demonstration of compression on female vocal
Free Download - Equipping Your Home Recording Studio
Microphone preamplifier comparison by Audio Masterclass
Gating a noisy bass guitar
Free Download - How to avoid these 4 huge mistakes in recording
Band splitting and processing a bass guitar
What exactly does the phrase 'leave headroom for mastering' mean? [PODCAST]
Audio Masterclass: Electric Guitar Recording Techniques, Excerpt (Abbey Road Studio 3)
Noise problem at the end of a mix
Making a track with Ableton Live, reFX Nexus 2, Lennar Digital Sylenth and Reveal Sound Spire
Bad Audio Diary BAD3: Can you use guitar amplifiers as studio monitors?
AmpliTube Fender Bassman demo
Demonstrating the Waves J37 analog tape emulation plug-in and comparison with a real tape recorder
Bad Audio Diary BAD4: Just how bad can data compressed audio get?
Shure SM57 and AKG C451 microphones compared
Compressing the kick drum using different methods for interesting effects
Adding stereo echo to an acoustic guitar
The Audio Masterclass Course Tour
Filtering the vuvuzela by Audio Masterclass
Recordings of speech by newly starting Audio Masterclass students
Vocal harmony effects
Two microphone preamplifiers compared at Abbey Road Studio 2 - tube and transistor
Spin echo with low-pass filter
Low-level recording of speech
The Making of a CD: SinFiction's 'Led By Verses'
Waves CLA-76 compressor plug-in on snare drum (Universal Audio 1176 emulation)
How much difference does mastering really make? [PODCAST]
A simple mixing tip that will improve nearly all of your mixes [PODCAST]
Achieving the 'mastered sound' while keeping a wide dynamic range
Comparison between tube mic+pre and solid-state mic+pre
The importance of neat topping and tailing
The frequency balance of a HIT RECORD!
Why mono is better than stereo for recording vocals and dialogue
The importance of editing speech cleanly
Violet Design The Globe microphone test at Abbey Road Studio 2
STC 4038 Ribbon Microphone
Do some microphones respond to EQ better than others? [PODCAST]

IN BRIEF

Audio Masterclass TV is a free resource to help home recording studio owners improve the standard of their work. Audio Masterclass TV is available on this website, and via free email subscription.

Audio Masterclass also offers courses in Music Production and Sound Engineering; Advanced Music Production and Sound Engineering; Microphones & Microphone Technique; Digital Audio Workstation Course; Equalization; Compression; Reverb & Effects; MIDI, Synthesis & Sampling; Recording Techniques; Music Production Techniques; Mixing; Mastering.

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