AmpliTube Fender Twin Reverb demo

Comparison between omnidirectional and cardioid microphone polar patterns

Bad Audio Diary BAD5: Gabbie Hanna sings a monstrous high note

Comparing two plug-ins that emulate the Pultec EQP-1A equalizer

Side chain compression without a side chain input

Waves J37 harmonic enhancement on female vocal with three tape types

A quick demonstration of pan law

How to EQ bass guitar using the Pultec EQP-1A

How to set the low frequency controls of the Pultec EQP-1A on kick drum (includes the Pultec trick)

Setting microphone preamplifier gain for both headroom and signal to noise ratio

Waves CLA 76 compressor plug-in on snare drum (Universal Audio 1176 emulation)

Bad Audio Diary BAD4: Just how bad can data compressed audio get?

Bad Audio Diary BAD3: Can you use guitar amplifiers as studio monitors?

Can you hear the difference between a sine wave and a square wave?

Bad Audio Diary BAD2 : Accidental amplification - Can it be avoided?

Bad Audio Diary BAD1: Incredible audio errors in UK government video

Free Download - Equipping Your Home Recording Studio

Free Download - How to avoid these 4 huge mistakes in recording

The two golden rules of microphone placement

Apple and Avid conspire to heist 9 decibels of level!

How to record or amplify the melodica or any unfamiliar instrument

The difference between minimum phase and linear phase EQ on transient signals

Why mono is better than stereo for recording vocals and dialogue

How much difference does mastering really make? [PODCAST]

What exactly does the phrase 'leave headroom for mastering' mean? [PODCAST]

Do some microphones respond to EQ better than others? [PODCAST]

A simple mixing tip that will improve nearly all of your mixes [PODCAST]

The new battlefield in the loudness war?

Gating a noisy bass guitar

The Audio Masterclass Course Tour

Clipping and compressing a drum recording to achieve an exciting sound texture

Compressing the kick drum using different methods for interesting effects

Making a track with Ableton Live, reFX Nexus 2, Lennar Digital Sylenth and Reveal Sound Spire

Additive Synthesis From First Principles

STC 4038 Ribbon Microphone

Band splitting and processing a bass guitar

The importance of neat topping and tailing

Recordings of speech by newly starting Audio Masterclass students

A demonstration of compression on female vocal

Mixing and enhancement of a recording of drums

Two microphone preamplifiers compared at Abbey Road Studio 2 - tube and transistor

Recordings of acoustic guitar by Audio Masterclass students

Waves CLA-76 compressor plug-in on snare drum (Universal Audio 1176 emulation)

AmpliTube Marshall JTM 100 demo

AmpliTube Fender Bassman demo

Demonstrating the polar response of an omnidirectional microphone

Cymbal recorded with a Shure SM57 microphone

Microphone scratch test

Demonstrating the Waves J37 analog tape emulation plug-in and comparison with a real tape recorder

The Making of a CD: SinFiction's 'Led By Verses'

Click removal at the start of a track

When is a click not a click? When should you fix a click, and when should you leave it alone?

Noise problem at the end of a mix

Microphone preamplifier comparison by Audio Masterclass

Achieving the 'mastered sound' while keeping a wide dynamic range

Low-level recording of speech

The frequency balance of a HIT RECORD!

Shure SM57 and AKG C451 microphones compared

Stereoizing an electric guitar with pitch change

Vocal harmony effects

Spin echo with low-pass filter

The importance of editing speech cleanly

Adding stereo echo to an acoustic guitar

Children's choir recording problem

Comparison between tube mic+pre and solid-state mic+pre

Violet Design The Globe microphone test at Abbey Road Studio 2

Violet Design Flamingo microphone test at Abbey Road Studio 2

Violet Design Amethyst microphone test at Abbey Road Studio 2

Filtering the vuvuzela by Audio Masterclass

Audio Masterclass: Piano Recording Techniques, Excerpt (Abbey Road Studio 3)

Audio Masterclass: Electric Guitar Recording Techniques, Excerpt (Abbey Road Studio 3)

Audio Masterclass: Drum Recording Techniques - Excerpt, Single Neumann U47 (Abbey Road Studio 3)

Audio Masterclass: Four Classic Compressors Compared - Excerpt, Fairchild 660 (Abbey Road Studio 3)

Audio Masterclass: Acoustic Guitar Recording Techniques - Excerpt (Abbey Road Studio 3)

Microphone Polar Patterns and Stereo Configurations - Excerpt, Cardioid (Abbey Road Studio 2)