Audio Masterclass /ONE

Course title: Mixing /ONE

Your journey through Audio Masterclass /ONE

WHERE YOU ARE NOW: You've watched YouTube videos on mixing. They talk about this method, that method, 'insider secrets' and 'little known' tricks. You're confused and you don't know who to believe.

AFTER THIS COURSE: You know for sure how form the basis of a solid mix using only the plug-in processes and effects that you positively need. Following that you know how to add life, interest, and sparkle to your mix by using straightforward, professional techniques that always work.

INTRODUCTION
Introduction
KNOWLEDGE
The mixing console
Microphone and line input
Equalizer
Auxiliary sends
Dynamics
Small fader
Solo/PFL
Large fader
Signal paths
Record status
Replay status
Record + mix status (overdub status)
Mix status
Center section
Additional buttons
Main outputs
Stereo bus master controls
Control room monitoring system
Solo
Cue-FX sends
Stereo echo returns
Meters
Group faders
Communications
Other features
Summary
Meters
FURTHER KNOWLEDGE
Traditional mixing methods
From another point of view...
How to get a good mix
Stereo format
Automated mixing
Engineer's view: Paul Gomersall
Remixer's view: Marco Sabiu of the Rapino Brothers
TUTORIALS (with audio demonstrations)
Mix components
Mix example 1
Mix example 2

Excerpt...

Here we have two two guitars, taken from a mix of Pretending by Audio Masterclass Featured Artists Judy Money and Larry Dvoskin.

Here are the guitars as they were recorded...

It's a rather confused sound. It doesn't even sound like two guitars, just one rather jumbled up one.

Let's listen to the guitars individually so we can see what we are working with. Here is Guitar 1...

And here is Guitar 2...

As you can hear, they are playing in different ways, one playing simple notes, the other playing chords. So let's add a little clarity by panning them out in the stereo image. One guitar is panned left, the other is panned right...

It's much better already. The two guitars are now distinct in the stereo sound stage, but they are still fighting each other within similar bands of frequencies.

Let's look at how the individual guitars can be improved with EQ. Firstly each guitar...

End of excerpt

Mix example 3
Vocal processing techniques
ASSESSMENT
Sample assessment question

End of information