Audio Masterclass /ONE

Course title: Mixing /ONE

Your journey through Audio Masterclass /ONE

WHERE YOU ARE NOW: You've watched YouTube videos on mixing. They talk about this method, that method, 'insider secrets' and 'little known' tricks. You're confused and you don't know who to believe.

AFTER THIS COURSE: You know for sure how form the basis of a solid mix using only the plug-in processes and effects that you positively need. Following that you know how to add life, interest, and sparkle to your mix by using straightforward, professional techniques that always work.

INTRODUCTION
Introduction
KNOWLEDGE
The mixing console
Microphone and line input
Equalizer
Auxiliary sends
Dynamics
Small fader
Solo/PFL
Large fader
Signal paths
Record status
Replay status
Record + mix status (overdub status)
Mix status
Center section
Additional buttons
Main outputs
Stereo bus master controls
Control room monitoring system
Solo
Cue-FX sends
Stereo echo returns
Meters
Group faders
Communications
Other features
Summary
Meters
FURTHER KNOWLEDGE
Traditional mixing methods
From another point of view...
How to get a good mix
Stereo format
Automated mixing
Engineer's view: Paul Gomersall
Remixer's view: Marco Sabiu of the Rapino Brothers
TUTORIALS (with audio demonstrations)
Mix components
Mix example 1
Mix example 2
Mix example 3
Vocal processing techniques

Excerpt...

For this tutorial we will demonstrate vocal processing techniques that are often used either in the original recording or in mixing. Here is the vocal we will work with...

This version of the vocal was recorded at Abbey Road Studio 3 using a Bruel & Kjaer (now DPA) 4011 microphone. This microphone is regarded as very clean and accurate, which normally would not be the best choice for a vocal. However it will give you more options to apply processing.

There is also a skeleton backing track in the download that you may use in your own exploration of vocal processing techniques. Vocal processing and effects should always be done with reference to the other instruments (and background vocals if there are any) and not in isolation. So as you work, at times you will listen to the vocal only, and at other times you will listen to the vocal and backing...

End of excerpt

ASSESSMENT
Sample assessment question

End of information