Audio Masterclass /ONE

Course title: Mixing /ONE

Your journey through Audio Masterclass /ONE

WHERE YOU ARE NOW: You've watched YouTube videos on mixing. They talk about this method, that method, 'insider secrets' and 'little known' tricks. You're confused and you don't know who to believe.

AFTER THIS COURSE: You know for sure how form the basis of a solid mix using only the plug-in processes and effects that you positively need. Following that you know how to add life, interest, and sparkle to your mix by using straightforward, professional techniques that always work.

INTRODUCTION
Introduction
KNOWLEDGE
The mixing console
Microphone and line input
Equalizer
Auxiliary sends
Dynamics
Small fader
Solo/PFL
Large fader
Signal paths
Record status
Replay status
Record + mix status (overdub status)
Mix status

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Line inputs are selected on the channels, sent via the Large Faders and Large Fader Pans to the main Mix bus and then, via the Master Fader, out to the mastering machine. The multitrack machine is usually normaled to the Line inputs, so this single status button will instantly set you up for a mixdown.

The Small Faders can be used for a variety of different purposes in MIX status. You will see from the drawings above and opposite that the default Monitor path in MIX status feeds the Tape Monitor Inputs via the Small Fader and Pan to the Multitrack Routing Matrix.

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Center section
Additional buttons
Main outputs
Stereo bus master controls
Control room monitoring system
Solo
Cue-FX sends
Stereo echo returns
Meters
Group faders
Communications
Other features
Summary
Meters
FURTHER KNOWLEDGE
Traditional mixing methods
From another point of view...
How to get a good mix
Stereo format
Automated mixing
Engineer's view: Paul Gomersall
Remixer's view: Marco Sabiu of the Rapino Brothers
TUTORIALS (with audio demonstrations)
Mix components
Mix example 1
Mix example 2
Mix example 3
Vocal processing techniques
ASSESSMENT
Sample assessment question

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