MOTU, Inc. has announced Digital Performer 4.5, the next major upgrade of MOTU's audio sequencer software. DP 4.5 introduces hundreds of new features and enhancements, including the Beat Detection Engine, automated tempo analysis, plug-in latency compensation, the MasterWorks EQ plug-in and a new Consolidated Window feature, which lets users work entirely in a single configurable window.
As one of the few remaining "DAE hosts", Digital Performer continues to serve as a third-party software front end for Pro Tools TDM systems. Version 4.5 introduces dozens of enhancements for Pro Tools TDM operation, including support for RTAS and AudioSuite plug-ins, full RTAS and TDM plug-in automation, sample-accurate latency compensation for all plug-ins, virtual instrument track support, stereo sends, send automation, automatic voice allocation, QuickPunch support, System Resources Usage window (for monitoring TDM DSP resources) and much more.
Beat Detection Engine
Digital Performer's new Beat Detection Engine and tempo analysis features give users rhythmic and tempo control over their audio, further blurring the line between audio and MIDI data. Employing sophisticated transient detection technology, the Beat Detection Engine analyzes audio loops and audio files that contain rhythmic music to determine where the beats are in the music. Importing Apple Loops, REX files, ACID WAV's and other audio material is just the beginning: as soon as they are imported, or an audio track is recorded, the Beat Detection Engine goes to work. Audio immediately conforms to the tempo of the project and users can then begin applying a wide array of beat- and tempo- related features, such as:
Plug-in latency compensation
Running under MAS and DAE, Digital Performer 4.5's plug-in latency compensation is sample-accurate -- for any MAS, Audio Unit, TDM or RTAS plug-in (including virtual instruments). And it's fully automatic. Users just load their plug-ins and go. Latency compensation is especially useful for users of hardware-accelerated plug-ins such as the TC Electronic PowerCore and the Universal Audio UAD-1.
Inspired by legendary British large console EQs, the MasterWorks EQ delivers the look, feel and sound of the most sought-after classic equalizers. Five bands of EQ filtering are provided, each with four EQ types that provide current popular EQ styles and vintage analog EQ styles alike. Two mid bands (LMF and HMF) include shelf filtering. Two additional bands of variable slope low pass and high pass filtering are provided. The filter response display provides comprehensive control and visual feedback of the EQ curve being applied. The MasterWorks EQ has been crafted and engineered to produce musical results in a wide variety of applications.
Many of Digital Performer's features are accessed in separate windows, such as the Track List, Sequence Editor, Mixing Board and Waveform Editor. Digital Performer 4.5's new Consolidated Window is designed for users who would prefer to work in one window, with access to each feature via tabs across the top of the window. Features that opened as separate windows in previous versions of Digital Performer, such as the Soundbites window and Sequence Editor, can now appear as a section of the Consolidated Window, either in the center (main body) or in the left- or right-hand sidebars. Users can customize the sections of the window to suit their exact needs, adding as many sections as they wish and resizing them as desired. Unlimited Customized Consolidated Window layouts can be created and saved via Digital Performer's Window Sets feature. Factory presets are provided for tracking, editing, mixing and other common workflow tasks.
Smooth Audio Edits
Audio edits often produce gaps between soundbites. This is especially true when editing dialog, or splitting soundbites into small slices using Digital Performer's new beat editing features. These gaps of silence can be audible and usually sound unnatural. The new Smooth Audio Edits feature can save hours of tedious editing by automatically filling gaps with "room tone" to mask them, complete with automated crossfades for 100% seamless transitions. Users can create their own room tone or have Digital Performer find room tone for them in the original audio files so that it exactly matches the natural silences in the audio.
QuickScribe Film Cues View
Digital Performer is used world-wide by film composers because of its unparalleled advanced features for scoring to picture. Version 4.5 introduces a new QuickScribe notation view that shows film cues in a manner familiar to film composers, allowing them to see cue points (markers) with respect to beats on a time line above each staff system, complete with SMPTE time code locations, beat locations and nearest beat or half-beat. Meter changes, key changes and tempo changes can be inserted directly on the staff with convenient pop-up menus. Numerous other enhancements have also been made to the QuickScribe Editor.
QuickTime move DV playback offset
Digital Performer 4.5 can now compensate for the slight playback offset inherent in DV video playback devices. Users can now achieve frame-accurate lock-upto picture with QuickTime movies both stopped and during playback.
Bounce / Export to MP3 and other formats
Digital Performer 4.5's Bounce to Disk and Export Audio features can now output directly to a variety of interleaved stereo file formats provided by Mac OS X. In addition, Version 4.5 can now bounce and export directly to MP3's. A wide variety of MP3 export options are provided, including constant bit rate and variable bit rate encoding.
More voices and busses
Digital Performer 4.5 supports up to 99 mono voices, 99 stereo voices and 99 stereo busses. These new maximums provide 297 audio voices (for automatic voice allocation) and 198 bus channels.
Mono, stereo and n-channel busses
Digital Performer 4.5's bussing architecture has been enhanced. Busses can now be configured as mono, stereo or n-channel (surround) busses. The Mixing Board provides the appropriate style panner, depending on the channel format chosen. Surround panners are provided for n-channel busses. In addition, multi-channel signals can be summed to a mono send. Each send also now has a pre/post fader switch.
Digital Performer 4.5 can display up to 20 sends per track in the Mixing Board. Users can choose as many sends as their needs require.
Apple Loop import
Users can drag and drop Apple Loops directly into Digital Performer audio tracks, where they immediately and automatically conform to the tempo of the music.
Pro Tools Enhancements
Digital Performer Version 4.5 includes major enhancements for operation as a complete software front end for Pro Tools HD, Accel, and MIX systems.
Registered Digital Performer users can upgrade now to Version 4.5 on the MOTU web site. Version 4.5 ships in October, 2004.
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