Adventures In Audio

From flat to fabulous: Transforming your audio with parametric EQ

What is a parametric equalizer?

A parametric equalizer, often simply referred to as a 'parametric EQ' or just 'EQ', is a type of audio processing tool used to adjust the balance of specific frequency ranges within an audio signal. Unlike a graphic equalizer, which uses a set of fixed frequency bands that can be adjusted, a parametric EQ allows the user to select a specific frequency to target and make adjustments to that frequency's amplitude (gain) and bandwidth (Q). This level of precision and control makes parametric EQ a powerful tool for shaping and sculpting the overall sound of a recording or live performance.

The importance of EQ in audio production

EQ is an essential tool in audio production, as it allows engineers and producers to fine-tune the balance and clarity of a sound. EQ can be used to enhance the overall frequency response of a recording, bringing out the best in different instruments and vocals. It can also be used to fix problems such as muddiness or harshness in a recording. EQ can be used to help instruments sit well in a mix, giving them their own space and making sure they don't clash with other instruments. EQ can also be used creatively to add character or excitement to a sound. EQ is a very powerful tool and a must-have in any audio engineer's toolkit.

Overview of the different types of EQ

There are several different types of EQ available, each with its own unique characteristics and uses. Some of the most common types include:

  • Graphic EQ: A graphic equalizer uses a series of fixed frequency bands that can be adjusted by sliding faders up and down. This type of EQ is often used in live sound applications where a simple and intuitive interface is desired.
  • Parametric EQ: A parametric equalizer allows the user to select a specific frequency to target and make adjustments to that frequency's amplitude (gain) and bandwidth (Q). This level of precision and control makes parametric EQ a powerful tool for shaping and sculpting the overall sound of a recording or live performance.
  • Shelving EQ: Shelving EQ allows the user to boost or cut a specific range of low or high frequencies, without allowing to adjust the Q or bandwidth of the filter. This type of EQ is commonly used to adjust the overall tonal balance of a mix.
  • High-Pass and Low-Pass Filters: Filters allow the user to cut or boost frequencies above or below a certain frequency threshold, respectively. They are commonly used to remove unwanted low-end rumble or high-end noise.
  • Notch Filter: This type of filter is used to remove a specific narrow frequency range, also known as a 'notch' and it's particularly useful for removing feedback.

Each type of EQ has its own strengths and weaknesses, and the best choice will depend on the specific needs of the audio production.

The three main parameters: frequency, gain, and Q

To fully understand parametric equalization, it's important to understand the three main parameters that are used to adjust the sound: frequency, gain, and Q.

  • Frequency: The frequency parameter allows the user to select a specific frequency to target. This can be done by using a frequency knob or by entering a specific frequency value.
  • Gain: The gain parameter is used to adjust the amplitude, or loudness, of the selected frequency range. This can be used to boost or cut the selected frequency.
  • Q: The Q parameter controls the width of the selected frequency range. A high Q value will result in a narrow frequency range, while a low Q value will result in a wider frequency range. This parameter is useful for making precise adjustments to a specific frequency, or for making broader adjustments to a wider range of frequencies.

When using a parametric EQ, it is important to use the frequency, gain and Q parameters in conjunction with each other. For example, if you are trying to remove a specific frequency that is causing a problem, you would use the frequency parameter to select the frequency, then use the gain parameter to reduce the amplitude of that frequency, and the Q parameter to adjust the width of the affected frequency range.

By understanding these three parameters and how to use them together, you can effectively shape and sculpt the sound of your audio production. Additionally, It's also important to use EQ in conjunction with other audio processing tools like dynamic processors, reverb and delay, as these can help to create a cohesive and polished final mix.

EQ in mixing and mastering

EQ is a crucial tool in both mixing and mastering, and is used to balance the frequency spectrum of an audio signal. In mixing, EQ is used to create clarity and separation between different elements of an arrangement, such as vocals, drums, and the various instruments. By using EQ, you can bring out the strengths of each element and create a cohesive and balanced mix. In mastering, EQ is used to fine-tune the overall sound of a track, and is used to achieve consistency across different songs in an album. By using EQ, you can adjust the tonality of a track, and make sure that it sounds good on a wide variety of playback systems.

In mixing, it's important to use EQ to enhance the strengths of individual elements and to create separation between them. For example, cutting the low frequencies of a vocal can help it sit better in the mix, while boosting the high frequencies can give it more clarity. Additionally, EQ can be used to fix issues like muddiness or harshness by cutting or boosting specific frequencies.

In mastering, EQ is used to fine-tune the overall sound of a track, and to ensure that it sounds good on a wide variety of playback systems. For example, boosting the low frequencies can give a track more weight, while cutting the high frequencies can reduce harshness. Additionally, EQ can be used to achieve consistency across different songs in an album, by adjusting the tonality of each track to match the overall sound of the project.

Overall, EQ is a powerful tool that can be used to shape and sculpt the sound of an audio production, from the individual elements of a mix to the overall tonality of a track. It's an important tool in both mixing and mastering, and both the producer and mastering engineer should have a good understanding of it to create a polished and professional-sounding final product.

EQ for specific instruments and vocals

EQ can be used to enhance specific instruments and vocals in a mix, by targeting the unique frequency ranges of each element.

For example, vocals typically sit in the mid-frequency range, so boosting the mid frequencies with a parametric equalizer can add clarity and presence to the vocals. Cutting the low frequencies can help reduce muddiness and improve clarity. Conversely, cutting the high frequencies can help reduce harshness and sibilance.

Guitars and pianos have a wide range of frequencies, but they often sit in the mid-range as well, so EQ can be used to bring out the clarity and presence of these instruments by boosting the mid-range frequencies. Drums typically have a lot of low frequencies, so cutting these frequencies can help reduce muddiness and bring out the clarity of the snare and hihat. Bass guitar and bass drums have a lot of low-frequency energy, so cutting the extreme low-frequencies on these instruments can help to reduce muddiness and bring out the clarity of the other elements in the mix.

In addition to EQ, it's important to use other audio processing tools like compression, reverb, and delay to create a cohesive and polished final mix. Using EQ in conjunction with these other tools can help to create a polished and professional-sounding final product.

It's important to note that different instruments and vocals will have different frequency ranges, so it's important to have a good understanding of the specific frequency ranges of each element and how to use EQ to enhance them. It's also important to listen carefully to the sound of each element in the mix and make small incremental changes to the EQ settings, as over-processing can lead to a less natural sound.

EQ for different genres of music

EQ can be used differently for different genres of music, as each genre has its own unique sound and characteristics.

For example, in pop music, EQ is often used to create a bright and polished sound, with a boost in the high frequencies to create a sense of clarity and presence. In contrast, in rock music, EQ is often used to create a thicker and more aggressive sound, with a boost in the mid-range frequencies to create a sense of power and energy.

In electronic music, EQ is often used to create a sense of space and depth, with a boost in the high frequencies and a cut in the low frequencies to create a sense of clarity and separation between the different elements. In hip-hop and R&B music, EQ is often used to create a sense of warmth and fullness, with a boost in the low frequencies to create a sense of power and energy.

It's important to note that these are general guidelines and that each song and project is unique, and it's important to use EQ in a way that best serves the specific needs of the song or project. Additionally, EQ is just one of many tools that can be used to shape the sound of a mix, and it should be used in conjunction with other tools such as compression, reverb, and delay to create a polished and professional-sounding final product.

EQ for live sound

EQ is also an important tool for shaping the sound of live performances. In live sound, EQ is used to adjust the balance of frequencies among the different elements of the mix, such as vocals, instruments, and drums. This can be particularly important in live performance because the acoustics of the room or venue can affect the balance of frequencies and the overall sound.

For example, in a live setting, a parametric equalizer can be used to cut frequencies that are causing feedback, or to boost frequencies that are too quiet or inaudible. Additionally, EQ can be used to adjust the balance of different instruments and vocals in the mix, such as cutting the low frequencies on the bass guitar to reduce muddiness or boosting the high frequencies on the vocals to add clarity and presence.

It's important to note that live sound EQ adjustments will depend on the room and the audience, so it's important to use EQ in a way that best serves the specific needs of the performance. Additionally, EQ is just one of many tools that can be used to shape the sound of a live performance, and it should be used in conjunction with other tools such as compression, reverb, and delay to create a polished and professional-sounding final product.

How to avoid over-EQing

It is important to be mindful of over-EQing, as over-use of EQ can result in a sound that is unnatural and fatiguing to the ears. One way to avoid over-EQing is to start with a neutral or flat EQ setting and make small, incremental adjustments as needed. It's also important to be mindful of the overall balance of frequencies in the mix, and to make sure that the EQ adjustments you make are serving the overall goal of the mix, rather than simply boosting or cutting frequencies for the sake of it.

It is advisable to use EQ in a surgical way, meaning applying it to specific frequency ranges and specific tracks, rather than applying it to the whole mix. Additionally, using a spectrum analyzer can be useful in identifying problem frequency ranges and making precise adjustments.

Another key principle to avoid over-EQing is to use EQ as a way to enhance and balance the sound, rather than to fix it. EQ should be used as a tool to help bring out the best in the sound and make it more pleasing to the ears, not as a crutch to fix problems that could be addressed through other means such as better microphone placement, more accurate instrument tuning, or better performance techniques.

In short, EQ is a powerful tool that can be used to shape the sound in a way that is pleasing to the ears, but it should be used judiciously and with care in order to avoid over-EQing.

How to use EQ to fix problems in a recording

EQ can be a powerful tool to fix problems in a recording, but it's important to use it in the right way. One of the most common problems that can be fixed with EQ is the presence of unwanted frequencies that can make the recording sound muddy, boomy or harsh.

For example, if a recording has too much low-end, a high-pass filter can be used to remove the unwanted frequencies below a certain threshold, making the recording sound clearer and more focused. If a recording sounds too bright or harsh, a high-shelf filter can be used to reduce the high frequencies, making the recording sound warmer and more balanced.

Another common problem that can be fixed with EQ is the imbalance between different elements of a recording. For example, if the vocals are too quiet in relation to the instruments, a boost in the frequency range of the vocals can be used to bring them forward in the mix.

In summary, EQ can be a powerful tool to fix problems in a recording, but it's important to use it judiciously and in the right way. Identifying the problem frequency range and making precise adjustments can result in a recording that sounds more balanced and natural

How to use EQ to enhance your sound

EQ can also be used to enhance the sound in a recording, rather than just fixing problems. By boosting specific frequency ranges, EQ can be used to bring out the best in different elements of a recording, making them sound more natural, detailed and pleasing to the ears.

For example, boosting the high frequencies of a guitar can make it sound more crisp and articulate, while boosting the low frequencies of a bass can make it sound more powerful and punchy. By boosting the mid-range frequencies of a vocal recording, you can make the vocals sound more present and intelligible.

It's important to remember that every instrument and voice has its own unique characteristics, and thus requires different EQ settings. For example, a guitar will require different EQ settings than drums. Additionally, different genres of music also have their own unique characteristics and require specific EQ settings.

Another way to enhance the sound is by using EQ in conjunction with other effects such as reverb and delay. For example, by adding some reverb to a vocal recording, it can make it sound more natural and present, while a delay can create a sense of depth and space.

In summary, EQ can be used to enhance the sound in a recording by boosting specific frequency ranges and making them more natural, detailed and pleasing to the ears. It's important to understand the unique characteristics of different instruments and voices, and to use EQ in conjunction with other effects to create a polished and professional-sounding final product.

Summary of key points

In summary, audio parametric equalization is a powerful tool used in audio production to shape and enhance the sound of different elements in a recording. EQs work by adjusting the amplitude of specific frequency ranges, and they are made up of three main parameters: frequency, gain, and Q. Each parameter affects the sound in a different way, and by understanding how to use them, you can use EQ to fix problems in a recording, such as unwanted frequencies, or enhance the sound by bringing out the best in different elements. EQ is also important in mixing and mastering, as well as for specific instruments and vocals and different genres of music. It's important to use EQ judiciously and in the right way to avoid over-EQing and to create a polished and professional-sounding final product.

Additional resources for learning more about parametric EQ

There are many resources available for those looking to learn more about parametric EQ and how to use it effectively in audio production. One great way to learn is by studying the work of professional audio engineers and producers and analyzing how they use EQ in their recordings. Many audio engineers and producers share their techniques and tips on their websites or social media platforms.

Books and online tutorials are also a great resource for learning more about parametric EQ. There are several books available on the subject written by experienced audio engineers, that can provide a comprehensive understanding of the topic. Additionally, there are many websites and video tutorials that provide step-by-step instructions on how to use EQ in different recording software.

Another way to learn more about parametric EQ is by experimenting and practising on your own. By experimenting with different EQ settings on different types of audio, you will be able to develop an understanding of how EQ works and how it affects the sound.

In summary, there are many resources available for learning more about parametric EQ such as studying the work of professional audio engineers and producers, books, online tutorials, video tutorials, and experimenting and practicing on your own.

Experiment with EQ and find your own sound

The beauty of parametric EQ is that it allows you to customize and shape the sound to your own taste and preferences. While there are general guidelines and techniques for using EQ, ultimately, the best way to learn is by experimenting and finding your own sound. Each recording and each instrument is unique and requires different EQ settings. It's important to not just rely on preset EQ settings, but to experiment with different frequencies, gain and Q values to achieve the desired sound. Take time to experiment with different EQ settings and find the sound that works best for you and your specific recording situation. It's also a great idea to keep a record of EQ settings that work well for certain instruments or genres, so you can refer to them in the future. Remember, EQ is a powerful tool that can be used to enhance and shape the sound, but it's important to use it in a way that's appropriate for the specific recording and to always trust your ears.

Monday January 30, 2023

Like, follow, and comment on this article at Facebook, Twitter, Reddit, Instagram or the social network of your choice.

David Mellor

David Mellor

David Mellor is CEO and Course Director of Audio Masterclass. David has designed courses in audio education and training since 1986 and is the publisher and principal writer of Adventures In Audio.

Learn Pro Tools with our amazing range of video courses

Pro Tools video course catalog

Browse Pro Tools courses...

Learn Logic Pro with our amazing range of video courses

Logic Pro video course catalog

Browse Logic Pro courses...

Learn Cubase with our amazing range of video courses

Cubase video course catalog

Browse Cubase courses...

More from Adventures In Audio...

Hi-Fi comfort OVER your ears? TRUEFREE O1 detailed review

Get the tube sound in your system with the Fosi Audio P3

Any studio you like, any listening room you like - For producers and audiophiles

Hidden Hi-Fi - The equipment you never knew you *didn't* need - Fosi Audio N3

Adding tubes to a jazz mix with Freqport Freqtube

Adding tubes to a rock master with Freqport Freqtube

Adding tubes to female vocals with Freqport Freqtube

Adding tubes to male vocals with Freqport Freqtube

Adding tubes to real drums with Freqport Freqtube

Adding tubes to a bass guitar with Freqport Freqtube

Adding tubes to speech with Freqport Freqtube

Adding tubes to an acoustic guitar with Freqport Freqtube

Parabolic reflector microphone - Sound On Sound latest issue

Your power amp is average - Here's why

MANCAVE REVIEW: In-ear monitors - Better than earbuds?

Can this tiny amp really produce 600 watts? - Fosi Audio V3

MANCAVE - Recreating Olivia Rodrigo's 'Vampire' vocal

Why does this song sound so bad?

Audiophiles - You're all wrong!

MANCAVE RE-REVIEW: OpenRock Pro earbuds in language Audiophiles can understand

MANCAVE REVIEW: OpenRock Open-Ear Air Conduction Sport Earbuds

Can lossy digital audio be better than lossless?

Man-Cave: Microphone mysteries revealed

How I improved my audio - From the Mancave