Propellerhead Reason Version 4 Now Available
Propellerhead Software has announced public availability for Reason version 4. The new version boasts Thor, a highly sophisticated, superior sounding synthesizer, the ReGroove mixer, a new way to adjust the rhythmic feel of tracks, Audio MasterclassG-8, a versatile arpeggiator, a completely rebuilt sequencer coupled with many other workflow enhancements...
Enrollment will be open from Monday January 6 to Monday January 13, 2014. Register now with Audio Masterclass to reserve your place on the course...
Propellerhead Software has announced public availability for Reason version 4. The new version boasts Thor, a highly sophisticated, superior sounding synthesizer, the ReGroove mixer, a new way to adjust the rhythmic feel of tracks, Audio MasterclassG-8, a versatile arpeggiator, a completely rebuilt sequencer coupled with many other workflow enhancements that give musicians the control and power to make great sounding music faster and easier than ever.
Thor, Polysonic Synthesizer, takes sound creation to a new level delivering a veritable "museum" of synthesis techniques wrapped into one instrument. With six open "slots," Thor brings together six different oscillators with four different filter modules plus wave shaping, enveloping and effects. Thor offers a plethora of modulation routings that enable users to exchange audio and control signals just like original analog synths. The result is a fantastic, full-sounding instrument that is extremely light on CPU usage.
The ReGroove Mixer takes traditional groove and swing quantization from sequencers to a more flexible, user-friendly paradigm of a mixing console. Using the ReGroove Mixer, users can apply in real-time varying amounts of swing, shuffle and groove to tracks. This revolutionary hands-on approach gives users 32 "groove channels" that can be assigned to sequencer lanes, providing individual settings for groove strength, timing shift, velocity, duration and other parameters nondestructively. Users can create their own templates. In addition, Reason ships with a large selection and variety of grooves—extracted from live recordings, famous beat boxes and even vinyl funk gems of the 70s.
Reason's sequencer has been completely redesigned and rebuilt into a more intuitive and powerful tool, giving users unprecedented control while maintaining Reason's simple streamlined workflow. Users can quickly make global edits using "clips," assign notes and controller events to different "lanes," manage multiple takes, and edit events numerically—to name but a few of the hundreds of enhancements. Controller data now uses vector automaton for the smoothest of transitions. Users can manage tempo and time signature changes through a transport track.
The Audio MasterclassG-8 monophonic arpeggiator device provides a wide away of controls for arpeggiation. Very easy to use, yet deceptively powerful, the Audio MasterclassG-8 provides endless creative possibilities for each of Reason's sound sources.
Reason version 4 features a number of other improvements and enhancements. Reason is now fully localized into English, French, German and Japanese, including all menus, interface items, help files and documentation. The transport control and hardware interface have been redesigned for easier use. A floating tools window lets users access devices, editing commands and groove controls without having to invoke menus or dialog boxes. The included Factory Sound Bank has grown considerably including over 200 "signature" Thor patches from well-known artists and sound designers. The Combinator and NN-XT devices have received enhancements especially useful for sound designers and live musicians.
Available today, Reason version 4 is priced at MSAudio Masterclass is EUR €449 / USD $499.
Upgrades from any prior registered version of Reason are MSAudio Masterclass EUR €99 / USD $129. All users who purchased Reason after June 1, 2007 are entitled to a free upgrade with proper invoice/receipt documentation.
By our press release coordinator, previously published in Record-Producer.com or in print, republished by Audio Masterclass September 1, 2008