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Noise gate controls

A post by David Mellor
Friday February 28, 2003
The operation of the controls of the noise gate.
Noise gate controls
  • The Threshold control sets the level at which the gate will decide whether to open or close.  
     
    When the signal is above the threshold, the gate will be open. When it is below the threshold, the gate will be closed. With the control set at minimum, the signal will always be above the threshold, even when only noise is present.  
     
    With the control set to maximum, then the signal will never rise above the threshold and the gate will be closed. Somewhere in between there will be an optimum point where the wanted signal gets through, and the unwanted noise is blocked. It is important to make sure that when the musician plays, the first note gets through, right from the initial attack.  
     
    Also, when the musician stops, the decay of the last note is maintained adequately before the gate closes. There are controls other than the threshold control that influence this, but the threshold must be set as precisely as possible before continuing. 
     
  • The Range control sets the degree of attenuation when the gate is closed.  
     
    Noise gates are commonly set to maximum attenuation unless there is a good reason to do otherwise. On a single signal, the gating effect will be obvious, but of course it should not be so in the context of the entire mix.  
     
    If the opening and closing of the gate is still noticeable, then the range control should be set to achieve the best compromise. 
     
  • The Hold control sets a time period during which the gate will remain fully open, even though the signal has just dropped below the threshold.  
     
    If the hold time is set to zero, when the signal crosses the threshold there will be a period of uncertainty when the gate doesn't know for sure whether it is supposed to be open or closed and it will change state rapidly a number of times, causing what is sometimes known as 'jitter' (not to be confused with digital jitter).  
     
    The hold control is usually set to the minimum value that causes jitter to cease. (Some gates alternatively have a Hysteresis control. This sets a separate threshold for signals that are rising in level than for signals that are falling in level. Having a variable hysteresis control is actually better than having a hold control. 
     
  • The Attack and Decay (also known as Release) controls are used to shape the envelope of the sound as it comes in and goes away with the object of changing smoothly from silence to signal, then signal back to silence, without cutting off any of the wanted sound, nor letting any noise get through. 
     
  • Stereo Link is a function only used when applying a twin channel gate to a stereo signal.  
     
    An example would be an instrument played through a noisy old analog chorus unit (because you just like the sound!). When this is on, both channels are forced to open and close at the same time.  
     
    If this is left off for a stereo signal, no matter how carefully you set the threshold controls the channels will change state at slightly different times. You won't believe how dreadful it sounds until you try it.
A post by David Mellor
Friday February 28, 2003 ARCHIVE
David Mellor has been creating music and recording in professional and home studios for more than 30 years. This website is all about learning how to improve and have more fun with music and recording. If you enjoy creating music and recording it, then you're definitely in the right place :-)
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