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An Introduction to Equalization - A free download from Audio Masterclass

An Introduction to Compression: Basic Compression - A free download from Audio Masterclass

Equipping Your Home Recording Studio - A free download from Audio Masterclass

Why your new monitors should make your mix sound bad

What is production? Part 3: Recording

Recording a cymbal from different mic positions (with audio)

How would you set microphones for a teleconference? This is real sound engineering in practice.

How to record or amplify the melodica or any unfamiliar instrument

How much should you charge for your audio services?

What would happen if a spider got into your microphone?

A brief introduction to soundproofing

7 important microphone types that you should know and the benefits of each

Two microphone preamplifiers compared at Abbey Road Studio 2 - tube and transistor

The worst sounding example of a Neumann U87 I ever heard

A Record-Producer.com visitor judges the recent Record-Producer.com recording test of Neumann U87 to be the worst she has ever heard.

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Dear David,

I found the results rather fascinating and was rather disheartened by them. I have had over 33 years experience working with Neumann U87s. You indicated you had moved it further away due to its hotter output when used with your five dollar preamplifier. Obviously further away to the point of no proximity effect and/or, it sounded like it was in Omni mode?

Either way, the worst sounding example of a U87, I ever heard. I also puzzled over the fact that you did not use the -10 dB pad switch and/or adjust the gain of the five dollar preamplifier (I know you and indicated it was the design of fixed gain but)?

Of course that may also have led to a slight rise in noise, which I believe would have made for a better comparison, so I'm not really impressed with this cute little deceptive comparison, which I did not find much validity in. I will tell you however, that doing a lot of narrative recording and commercials in our studios, we wanted to find a close match for narrative use.

After running to the gamut of our lovely microphone closet one microphone that matched best for spoken word use was.....the SM 58! Not the Sony C500, C48, KM86, Sennheisers, Shure SM 81s, et al.!

I found your link within a posting on recording.org, of which I am a contributor of since I have had more years in the broadcasting/recording business than my experience spent with the U87 (not to mention my 3 major award nominations), and probably the only person and American to turn down a maintenance job offering from Sir George Martin, 25 years ago when I was first employed by NBC radio/television network. Yup, I'm an idiot.

Yours truly
Ms. Remy Ann David

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By David Mellor Monday January 23, 2006
Online courses from Audio Masterclass