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An Introduction to Equalization - A free download from Audio Masterclass

An Introduction to Compression: Basic Compression - A free download from Audio Masterclass

Equipping Your Home Recording Studio - A free download from Audio Masterclass

Even the best sound engineers in the world can't be trusted - apparently

Can you hear the subtle effect of the knee control of the compressor? (With audio and video demonstrations)

Two microphone preamplifiers compared at Abbey Road Studio 2 - tube and transistor

Is it time to reinvent the physical mixing console?

2 settings every preamp owner should know and use

How much mastering does a Pink Floyd soundalike band need?

The professional way to make sure your mics are connected correctly

What should you fix before you mix?

A simple 8-mic drum mix, with video

"There is background noise in my studio. Should I use a noise-reduction plug-in?"

Session musician's view - Dave Clayton

A session musician's view of record production.

Learn audio online with the Audio Masterclass Studio Recording and Production Course - enrolling until Friday with 20% discount - use promo code SEPT2017 at the checkout >>

Keyboard player Dave Clayton's credits include Take That album producer Chris Porter. He also played on George Michael's 'Jesus to a Child'.


"I tend to bring it all, leave it in a room somewhere and bring out what I need. I've got masses of analogue gear and modern equipment too - clavinets and electric pianos, Roland System 100 up to the new Waldorf Wave."

Producers' requirements

"Some get me in to show them how it could be. They rely on my experience and see if I can develop something from their idea. They might like the sound of a particular era and just let me jam and find a way I can fuse it into their track."


"I've had people quote MU rates to me, but people hire me because of my ability and also because of the fact that I can bring in a lot of equipment as well.

"The rate varies from project to project. I might work for someone on a small label for a negligible rate and charge the full rate to people who can afford it. I'm in the fortunate position that I've been in the business a few years and I tend to do things I feel will inspire me."

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By David Mellor Tuesday February 1, 2000
Learn music production