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An Introduction to Compression: Basic Compression - A free download from Audio Masterclass

Equipping Your Home Recording Studio - A free download from Audio Masterclass

An Introduction to Equalization - A free download from Audio Masterclass

What is production? Part 5: Mastering

What is production? Part 2: Arrangement

Exploring the MASSIVE headroom in your DAW

Three types of musician you'll prefer to work with in the studio, and one type that you won't

The difference between minimum-phase and linear-phase EQ on transient signals such as snare drum

Develop your DAW skills by making a ringtone using edits and crossfades

Setting microphone preamplifier gain to achieve both adequate headroom and a good signal-to-noise ratio

Can an electric guitar virtual instrument ever sound like a real electric guitar?

Make your recordings richer with double tracking

7 important microphone types that you should know and the benefits of each

"Samba do breako" by Alien Groove

All instruments were alive recording in studio....

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All instruments were alive recording in studio. The SW was a Protools 24 Mix and the bass was tracking with DI and mic Sennheiser e602.

It was running with a Hartke Amp. Also the Guitar was with DI and mic Shure SM57 plus a Fender Deville.

Drums (special feature named Odery) was recording with 8 micĀ“s... 1 Beyer Opus 65 and 83,2 Shure sm57, 2 Sennheiser md421, 1 Sennheiser e602. The Preamp was 1 M-Audio Octane, the dbx 286 and Focusrite VoiceMaster Pro.

The sound was mixed in the Yamaha console O2R v2.2 and all mix-process comes out from Protools plug-ins EQ, reverbs, etc.

The band has 3 players. Mastering was made in a housemaster.

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By Alien Groove Thursday November 30, 2006
Learn music production