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Rupert Neve Designs Introduces The 5014 Stereo Field Editor

Rupert Neve Designs is redefining the boundaries of traditional two-channel recording and playback with the Portico™ 5014 Stereo Field Editor. An all-new approach to stereo designed by Mr. Rupert Neve for mixing, mastering and live sound engineers, the Portico 5014 allows users to control stereo ambience and spatial positioning while further manipulating source material with its difference channel equalizer and insert...

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Rupert Neve Designs is redefining the boundaries of traditional two-channel recording and playback with the Portico™ 5014 Stereo Field Editor. An all-new approach to stereo designed by Mr. Rupert Neve for mixing, mastering and live sound engineers, the Portico 5014 allows users to control stereo ambience and spatial positioning while further manipulating source material with its difference channel equalizer and insert.

Designed with the same half rack dimensions as the rest of the Portico range, available in horizontal or vertical formats, and utilizing Mr. Rupert Neve's custom transformer designs, the 5014 is a new tool in the modern recording engineer's palette for creating dimension and life. The remarkably sweet sounds that may be distilled from an ordinary digital signal with the 5014 are achieved entirely in the analogue domain using Mr. Neve's discrete component circuits that encompass level controls, phase inversion, and a sum and difference network with three key features to effect stereo sources.

The first key feature of the 5014 is its width control, which enables the user to increase or reduce the width of a stereo image (wide/mono) and adjust the level of ambience inherent in the recording. For instance, a drum buss that needs to be tightened up can easily be run through with the width circuit towards mono, or a background vocal buss that is smothering a lead vocal can be opened up to let the center material breathe.

The depth control of the 5014 adjusts the spatial positioning of elements in the sound stage. A lead instrument or vocal can be placed up front in a mix and supporting instruments can be pushed back. In many cases, a center-panned vocalist can be placed forward in a mix or virtually eliminated without adversely affecting the music bed.

The difference channel equalizer and insert create new opportunities to manipulate stereo signals. In mastering use, lead vocals can be brought up or down in a mix, excessively sibilant overheads can be controlled, and mixes that were once beyond repair can be saved. As a creative tool the difference channel inserts on the 5014 are limited only by the user's creativity.

www.rupertneve.com

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By our press release coordinator Thursday November 30, 2006
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