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An Introduction to Compression: Basic Compression - A free download from Audio Masterclass

Equipping Your Home Recording Studio - A free download from Audio Masterclass

An Introduction to Equalization - A free download from Audio Masterclass

How to get started quickly in home recording

One simple step you must take to make sure your masters sound really great

How much should you charge for your audio services?

Buy an SSL mixing console for a quarter of its price when new!

Setting a noise gate for a bass guitar with amplifier noise

Is your audio interface fast enough?

Clipping and compressing a drum recording to achieve an exciting sound texture

The difference between minimum-phase and linear-phase EQ on transient signals such as snare drum

A brief introduction to acoustic treatment

Can you hear the subtle effect of the knee control of the compressor? (With audio and video demonstrations)

Introduction

Introduction to the successful installation of recording studio equipment.

Learn audio online with the Audio Masterclass Studio Recording and Production Course - enrolling until Friday with 20% discount - use promo code SEPT2017 at the checkout >>

Whenever I visit a top class pro studio, I always get a very comfortable and relaxed feeling as soon as I enter the control room. This is due to the fact that top studios recognise the importance of a neat equipment installation and well designed decor to the customer paying an hourly rate. Go into the average project studio, even some owned by top musicians, and you will find equipment stacked up like the Leaning Tower of Pisa and cables tangled together all over the place like a massive nest of serpents. Which do you think is more conducive to musical productivity? OK, I know some people work best among clutter, but I think such people are the exception rather than the rule. I know that I like my studio to be the equivalent of an artist’s blank canvas when I enter it on a morning. Everything is where it should be, it works properly without any setting up or messing about, and I can get as creative as I want and make as much mess as I like during my musically productive day. Then, even though I am naturally an untidy person, I tidy up my studio ready for the next session because I know that’s the way I can work best. I have a few ideas that I think you will find useful in making your own studio an efficient working environment.

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By David Mellor Tuesday February 1, 2000
Learn music production