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Equipping Your Home Recording Studio - A free download from Audio Masterclass

An Introduction to Equalization - A free download from Audio Masterclass

An Introduction to Compression: Basic Compression - A free download from Audio Masterclass

How to record or amplify the melodica or any unfamiliar instrument

7 important microphone types that you should know and the benefits of each

An investigation of the pre-delay parameter of the Lexicon 480L reverb plug-in

How to double track easily and efficiently

Is your audio interface fast enough?

Buy an SSL mixing console for a quarter of its price when new!

"There is background noise in my studio. Should I use a noise-reduction plug-in?"

When using a drum virtual instrument, should you record each drum to its own individual track?

A great-sounding live vocal mic that you might never have heard of [with video]

The 10 rules of pan

How to escape from being a bedroom producer

How can a budding record producer get their first break into the recording industry?


How do you get from your bedroom studio to the professional world of recording? There are several ways, but here's one...

There is a steady market among smaller dance-orientated labels for remixes. If you were already a pro, a label might ask you to remix one of their recordings. They would give you access to the master tapes and you could keep what you liked, replace what you liked and have 100% creative freedom.

For that work, you might get paid a fee of up to $5000. You are not likely to get royalties on a remix.

But if you are not yet a professional and you haven't made any contacts with record labels yet, what are you going to do? The answer is that you are going to have to work with the materials you can get hold of - commercially available recordings.

Since on a finished stereo mix, it is hard to find enough sample-able material to get creative with, you are going to have to use more than one source. Take a snatch of vocals from one track, a drum break from another, add your own bass line and embellishments, etc.

When you have created a killer remix, you can contact the labels (you can find out who they are from the records in your local specialist store) and ask them to listen. If they like your work, the rest might be (future) history.

Oh, but isn't it illegal to sample from records or CDs in this way? Well technically it is, so the official line is, "Don't do it!". In practice however, blind eyes are turned until a product is released and starts making money. The label will sort out all of the legal stuff before release.

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By David Mellor Thursday November 30, 2006
Online courses from Audio Masterclass