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An Introduction to Compression: Basic Compression - A free download from Audio Masterclass

Equipping Your Home Recording Studio - A free download from Audio Masterclass

An Introduction to Equalization - A free download from Audio Masterclass

Should you make decisions as you record, or keep your options open until later?

Can you hear the subtle effect of the knee control of the compressor? (With audio and video demonstrations)

Who should be responsible for the fade at the end of a song - the producer, mix engineer or mastering engineer?

The Making of a CD - FREE DOWNLOAD

Setting a noise gate for a bass guitar with amplifier noise

The professional way to make sure your mics are connected correctly

The Making of a CD - FREE DOWNLOAD

Even the best sound engineers in the world can't be trusted - apparently

New vs. old guitar strings: Part 2 - The case for used guitar strings

Do some microphones respond to EQ better than others?

Auxiliary sends - pre or post fade?

Anyone who doesn't know this isn't ready to be a sound engineer yet. But often even people working in sound don't get this right.

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Auxiliary sends on mixing consoles have two main functions...

1) Foldback for musicians (headphones in the studio or wedge monitors on stage).

In this case, you will make a headphone mix that has to be completely independent of the recording or FOH (Front of House) mix. Otherwise the musicians will hear what you are doing to please the recorder or audience. Musicians HATE their foldback levels going up and down, which to them will seemingly be at random.

Therefore you should use a PRE-FADE auxiliary send that is not affected by the position of the fader.

2) To add reverb. Reverb is an effect where the processed signal is mixed in with the original signal.

In this case, suppose you faded out the dry signal. You would want the reverb signal to fade out too. In fact, whatever reverb level you set, you want it to be in proportion to the level of the dry signal.

Therefore you use a POST-FADE auxiliary send where the amount of signal sent through the aux is proportional to the fader position.

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By David Mellor Monday September 11, 2006
Learn music production