Facebook social media iconTwitter social media iconYouTube social media iconSubmit to Reddit

Equipping Your Home Recording Studio - A free download from Audio Masterclass

An Introduction to Equalization - A free download from Audio Masterclass

An Introduction to Compression: Basic Compression - A free download from Audio Masterclass

How complicated do your monitors have to be?

Fixing a problem note with Auto-Tune

Recording acoustic guitar in stereo - should you use spaced or coincident mics?

Setting the gain control on your audio interface for recording

Avid and Apple conspire to heist 9 decibels of level

How to set a graphic equalizer

Make an attention-getting lo-fi introduction for a track

A brief introduction to soundproofing

2 settings every preamp owner should know and use

The Making of a CD - FREE DOWNLOAD

Akai DR8 Hard Disk Recorder (part 8)

The DR8 incorporates a digital mixer which can take an additional eight channels on top of what you have already recorded.

Mixing and EQ

The DR8 incorporates a digital mixer which can take an additional eight channels on top of what you have already recorded. An optional card, which I didn't have for test, provides EQ as well. Although the digital mixer is fairly easy to use and offers snapshot automation, I can't say that I am all that interested in a mixer that can't do fades, and this one can't. Having said that, the mixer would be useful for monitoring if the DR8 was being used as a standalone recorder, as mentioned in the main text, perhaps on location. The mixer can also be used for internal bounce down from, say, six tracks to two. Two auxiliary sends are available and could be used to add reverb or other effects. If some of this comment sounds negative, don't let it put you off the DR8 because it has so much to offer in every other department.


Synchronisation

With the optional IB-802T SMPTE reader/generator installed, the DR8 can synchronise to timecode and operate as a slave or code only master. ('Code only master' is where transport commands are not issued to slave machines so a tape recorder or VCR would take some time to catch up). All timecode types are available including drop frame at both 29.97 and 30 frames per second. I synchronised the DR8 as a slave to a Fostex RD-8 ADAT machine and synch, although not phase accurate, was excellent with a very fast response. In 1995 I would have liked to see a VITC reader so that the DR8 could lock to a video in still frame mode, but perhaps I'm just being greedy.

With the optional IB-803M MIDI interface installed, the DR8 will synchronise to MTC (MIDI Time Code) and will respond to MMC (MIDI Machine Control) commands. It is also possible in Song mode to create a tempo map and have the DR8 output a MIDI clock signal and song position pointers (probably for people who haven't discovered MTC yet!).


A Small Problem

There is no relationship between the time on the display and the position of the audio on the disk. You can start recording at 23:00:00:00 quite happily if you wish. If you record a number of songs on the same disk, which is very easy to do with the relative/absolute time feature, you might record audio anywhere between 00:00:00:00 and 23:59:59:29 - in a notional twenty-four hour period in other words. What happens if you forget the start time? How do you find the audio on the disk? There is no answer as yet, except to make sure that you use the locate facilities while recording, which will remember the start time for you, or get a notebook.


Please click here if there are broken links or missing images in this article

By David Mellor Thursday January 1, 2004
Learn music production