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Equipping Your Home Recording Studio - A free download from Audio Masterclass

An Introduction to Compression: Basic Compression - A free download from Audio Masterclass

An Introduction to Equalization - A free download from Audio Masterclass

What should you fix before you mix?

A simple 8-mic drum mix, with video

One simple step you must take to make sure your masters sound really great

7 important microphone types that you should know and the benefits of each

New vs. old guitar strings: Part 1 - The case for new guitar strings

How to record or amplify the melodica or any unfamiliar instrument

Clipping and compressing a drum recording to achieve an exciting sound texture

What is production? Part 5: Mastering

What level of background noise is acceptable in a recording?

Do some microphones respond to EQ better than others?

A huge drum sound - how is that done?

A recording of drums has a pretty huge sound. How was it achieved? Can you tell?

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I wasn't planning on writing a Audio Masterclass Daily today. But you know what? Something came up and I just can't resist. It's just a quickie...

Take a listen to this. It's a short clip of acoustic drums,...

WAV (best)
AAC (better)
MP3 (take your chances)

It's a pretty huge sound, isn't it? But there is NO processing other than a 12 dB boost at 11.5 kHz and above.

So here's a question for you...

How was it recorded?

Send in your answers to me by Tuesday evening and I will tell all in the Audio Masterclass Daily later next week.

I find it a great exercise to really listen to a track and try and hear everything there is to know about it, recording-wise. If you like, you can make other technical comments on the sound. Just tell me what you hear.

And another challenge... Can you turn it from merely huge to positively earth-shattering? Fire up your plug-ins and see what you can do. Send the results to me by e-mail and I'll publish the best ones next week (with full credit for you of course).

The clip above is titled Drums-0701, by David Mellor, and the composition, performance and recording are licensed under a Creative Commons Attribution 2.5 License.

You are free:
  • to Share -- to copy, distribute, display, and perform the work
  • to Remix -- to make derivative works
Under the following conditions:
    Attribution. You must attribute the work in the manner specified by the author or licensor.
  • For any reuse or distribution, you must make clear to others the license terms of this work.
  • Any of these conditions can be waived if you get permission from the copyright holder.

Submissions for this feature have now closed and the results are available at www.audiomasterclass.com/learn.cfm?a=3759. Thank you to all who took part.

Please click here if there are broken links or missing images in this article

By David Mellor Monday January 29, 2007
Learn music production