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In digital recording, should you normalize each track? What is normalizing anyway?

A post by David Mellor
Monday December 19, 2005
It has always been traditional in recording to record at as high a level as possible. If you don't, you are wasting dynamic range. But does normalizing your recordings achieve the same result?
In digital recording, should you normalize each track? What is normalizing anyway?

Any recording medium has a certain dynamic range within which it can capture signals. The low end of the dynamic range, where the quiet signals live, is limited by noise and quantization errors. The high end is limited simply by running out of bits; the signal can go no higher.

But in any recording situation, you're never quite sure how high the incoming levels will go. This applies particularly to live recording, and even more so to recordings that are unrehearsed.

So you have to leave some headroom between the maximum incoming level you expect, and the highest level your recording system can handle (known as 0 dBFS).

You might regard this headroom as wasted dynamic range, but when the signal level does indeed go higher than you ever expected it to, you will be thankful that your recording is undistorted. Leave inadequate headroom, and gross distortion is the sure and certain outcome.

But then, when the recording is made, you are sat looking at the screen and the meter is showing you how much dynamic range you 'wasted'. And it troubles you somehow.

The solution though is obvious - simply normalize the level. Most professional disk-based recording systems have this feature where the level of a recording is raised so that it peaks at 0 dBFS. After normalisation, it seems that no dynamic range is wasted.

But there are problems...

The first problem is that it doesn't make the recording sound any better. The recording sounds exactly the same as it did before, it just occupies a higher range of levels. The noise level of the signal has also been raised, so the signal to noise ratio has not improved one little bit.

And actually, it doesn't sound the same - it sounds worse!

Normalizing works by multiplying the value of each sample by a set amount. Any mathematical process applied to sample values results in an error at low levels, and this error needs to be masked.

Masking of errors is done by adding dither - a noise signal that, in basic terms, covers up the problems.

So your normalized recording is may peak at 0 dBFS, and it may look better on the meters, but it is actually noisier than it was before.

There is the further problem of inter-sample peaks, which can occur if a high-level signal is further processed.

So the moral is not to normalize your recordings. Just don't do it because it gives you no benefit and makes the sound quality worse.

The only time it is appropriate to normalize a recording is at the mastering stage, when it is prepared for CD release, or release on any other medium. It is part of the CD specification that recordings should at some point exceed -2 dBFS, and there is no reason why you should not peak exactly at 0 dBFS.

If you want to hear what normalizing does to your recordings, pull the input fader all the way down and record some 'silence', then normalize that. (Turn down your monitors before listening to the result.) The gritty, grainy quality of the high-level noise produced will tell you all that is bad about this process.

A post by David Mellor
Monday December 19, 2005 ARCHIVE
David Mellor has been creating music and recording in professional and home studios for more than 30 years. This website is all about learning how to improve and have more fun with music and recording. If you enjoy creating music and recording it, then you're definitely in the right place :-)
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