Special enrollment Monday May 1 to Friday May 5, 2017

An Introduction to Equalization - A Free Guide from Audio Masterclass

Equipping Your Home Recording Studio - A Free Guide from Audio Masterclass

An Introduction to Compression: Basic Compression - A Free Guide from Audio Masterclass

Getting started in garage

A post by David Mellor
Thursday January 01, 2004
The very basics of what you need to know to get started in garage music.
Getting started in garage

Garage Music typically consists of a characteristic light and bubbly drum track supporting a strong vocal line. In the middle comes a subtle blend of 'pad' sounds, filling out the mix yet still leaving it light and airy. You need to know where you can get sampled garage loops, if you're lazy that is. Or you need to understand the very precise nature of the individual elements of Garage drum sounds. Don't think that this is easy. You also need to know how to get the very best out of your vocalist. The sparseness of a typical Garage track doesn't allow the possibility of using a second-rate vocalist, or even a first-rate vocalist who isn't absolutely on top form.

You need to know how to manipulate drum sounds into something suitable for Garage. Don't expect to get everything ready prepared for you on a sample CD. You're making music not warming up a TV dinner. You also need to understand the timing of a drum track. In Garage Music, not everything falls exactly on the beat or an even distance in between. Hey, the 1980s are over now!

You need to know how to use your computer sequencer to 'massage' the rhythm into shape. The subtlety of Garage Music is often such that mere quantization won't do it. You have to get into the edit page and shift the timing of sounds in tiny amounts to get the right feel.

The equipment you need...

You need a sampler for your drum sounds, and source material for you to manipulate in a variety of ways, if you intend going beyond ready-made drum loops. You need a computer sequencer - a hardware sequencer won't really allow sufficient rhythmic subtlety, although you could get by if you are content to work within a limited range of possibilities. A filter is a great tool for manipulating drum sounds - make sure it has a sharp 24dB/octave cutoff and a resonance control, otherwise it's just EQ. You'll need a noise gate too.

You need an audio recorder of some shape or form for your vocals, unless the vocals are so brief they can be done as samples. Since a fantastically wonderful vocal is almost obligatory, you'll need a good editing system to combine the best bits from various takes. See the equipment pages for more info.

A post by David Mellor
Thursday January 01, 2004 ARCHIVE
David Mellor has been creating music and recording in professional and home studios for more than 30 years. This website is all about learning how to improve and have more fun with music and recording. If you enjoy creating music and recording it, then you're definitely in the right place :-)