Equipping Your Home Recording Studio - A Free Guide from Audio Masterclass

An Introduction to Equalization - A Free Guide from Audio Masterclass

An Introduction to Compression: Basic Compression - A Free Guide from Audio Masterclass

Ashdown to Debut Fallen Angel DSP Series

Thursday January 01, 2004
The Fallen Angel amplifiers are dedicated to full-on power, sustain, and ton, capable of delivering harmonically rich overdrives with a fat bottom end for bone crunching power chords, and soaring, saturated solo voicings for lead guitar...
Ashdown to Debut Fallen Angel DSP Series
Learn Cubase

January 17, 2005

New for NAMM, Ashdown's Fallen Angel DSP series combines all-tube pre and power stages with onboard digital effects, an industry first according to the company.

The Fallen Angel amplifiers are dedicated to full-on power, sustain, and ton, capable of delivering harmonically rich overdrives with a fat bottom end for bone crunching power chords, and soaring, saturated solo voicings for lead guitar. Now, with the inclusion of state-of-the-art digital processing, the new Fallen Angel DSP series provides a wider range of tonal possibilities.

The series consists of a 40-Watt 1x12" combo, a 60-Watt 2 x 12" combo and a 60-Watt head, each of which shares the same comprehensive feature set and is fuelled by a quartet of 12AX7 preamp tubes and a EL84-driven power output stage.

Central to the Fallen Angel DSP sound is a twin channel facility that equips each model a wide palette of clean and crunch tones, with channel selection provided via a front panel switch and a rear panel footswitch connection. Both channels offer Gain, Treble, Middle, Bass and Volume controls, while Channel2 features an extra Boost control to allow extreme overdrive settings.

16 internal DSP effects - including four Chorus, four Flanger and eight Delay programs - are all accessed via a front panel rotary switch, and can be switched in and out of circuit by either a front panel switch or an external footswitch. Additionally, an internal DSP Reverb is provided with its own level control -- this feature has been specially created for guitar use.

Other neat features include dual Master Volume controls (selectable via front panel or external footswitch), a retro-style illuminated Output Power level meter, external Effects Send/Return sockets with an Effects Return level control, and a line level recording output with speaker emulation.

For more information, visit their web site at www.ashdownmusic.com

Thursday January 01, 2004 ARCHIVE
David Mellor has been creating music and recording in professional and home studios for more than 30 years. This website is all about learning how to improve and have more fun with music and recording. If you enjoy creating music and recording it, then you're definitely in the right place :-)
Come on the FREE COURSE TOUR